Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art

IF 0.1 0 ART Zograf Pub Date : 2017-01-01 DOI:10.2298/zog1741025k
Bojana Krsmanović, Ljubomir Milanovic
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引用次数: 1

Abstract

The paper discusses twelve visual depictions that in all like-lihood represent St. Ignatios of Constantinople and were created between the ninth and the thirteenth century. Most of these depictions show Patriarch Ignatios beardless, which re-flects the fact that he was a eunuch of the ἐκτομίας category. The paper analyzes two iconographical elements distinctive of his portraits: beardlessness and youthful appearance. It concludes that, on the one hand, the artists who painted the beardless portraits of Ignatios strove to depict the saint as realistically as possible; while, on the other hand, his beardless and youthful appearance also had a metaphorical meaning and served to highlight the chastity and purity of the eunuch saint.
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胡子很重要。拜占庭艺术中宗主教伊格纳修斯的视觉表现
本文讨论了十二幅视觉描绘,它们很可能代表君士坦丁堡的圣依纳爵,创作于9世纪至13世纪之间。这些描述中,大牧首伊格内修斯大部分都是没有胡须的,这反映了他是一个ς τομ末梢ας类的太监。本文分析了他的肖像画的两个独特的形象元素:胡须和年轻的外表。它的结论是,一方面,画伊格纳修斯无胡子肖像的艺术家们努力尽可能真实地描绘这位圣人;然而,另一方面,他的胡子和年轻的外表也有隐喻的意义,并有助于突出贞洁和纯洁的太监圣人。
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来源期刊
Zograf
Zograf Multiple-
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
25 weeks
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