Unknowing in Circles: A Story of Artful Inquiry as Praxis.

S. Mackenzie, M. M. Wolf
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Abstract

This paper shares a story of community, vulnerability, art-making and possibility that arose within the context of a Social Foundations of Education course. Drawing on arts-informed epistemologies, the authors began the semester by inviting students to critically engage with the central ideas of the course through the process of creating a mandala. At the end of the semester, students were once again invited to (re)create their mandalas as they reflected on how their understandings had evolved over the course of the semester. Within what was initially a very uncomfortable act, a community emerged as students sought to support and encourage one another. This sense of community remained consistent across the course of the semester and students regularly returned to the initial activity as a starting point during class discussions. Using this particular classroom experience as an illustration, this paper posits that it is important for educators to engage their students in centered, aesthetic and communal acts of reflexivity as a means to facilitate the development of fluid pedagogies and ways of being in the world that are informed, critical, and transformative.
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圆圈中的无知:作为实践的巧妙探究的故事。
本文分享了在社会教育基础课程的背景下产生的社区,脆弱性,艺术创作和可能性的故事。利用艺术知识认识论,作者在学期开始时邀请学生通过创造曼荼罗的过程批判性地参与课程的中心思想。在学期结束时,学生们再次被邀请(重新)创建他们的曼荼罗,因为他们反思了他们的理解在这学期的课程中是如何演变的。起初,这是一种非常不舒服的行为,但随着学生们寻求相互支持和鼓励,一个社区出现了。这种社区意识贯穿了整个学期,学生们经常回到最初的活动中,作为课堂讨论的起点。以这一特殊的课堂经验为例,本文认为,教育工作者让学生参与以中心为中心的、审美的和集体的反身性行为是很重要的,这是一种促进流动教学法发展的手段,也是一种有见地的、批判性的和变革性的存在方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
0.00%
发文量
7
审稿时长
32 weeks
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