Exploring Professionalism in Undergraduate Medical and Dental Education through Forum Theatre.

P. Brett-MacLean, V. Yiu, Ameer Farooq
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引用次数: 32

Abstract

Author(s): Brett-MacLean, Pamela; Yiu, Verna; Farooq, Ameer | Abstract: Forum Theatre (FT) was created by Brazilian theatre director Augusto Boal (1985) as an approach for promoting dialogue between the audience and those performing on stage for his “Theater for the Oppressed.” FT offers an accessible, interactive approach to exploring challenging topics and situations. In FT, a short scene is performed. It is then replayed again and again with audience members invited to intervene and offer different options for addressing various aspects of the problematic situation. Originally directed to helping people address and transform oppressive conditions that characterized their lives, FT has evolved and found expression in many different communities and contexts, including health professional education. Inspired by David Diamond’s (2008) “Theatre for Living” model (which approaches living communities as a complex, living entities), we introduced FT in the “Introduction to Medicine a Dentistry” (DMED 511) course offered as part of the Undergraduate Medical Education program in the Faculty of Medicine a Dentistry (FoMD). In this article, we describe how we have successfully engaged first year medical and dental students in discussion and critical reflection of professionalism issues relevant to their experiences of small group learning using FT.
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通过论坛剧场探索医学和牙科本科教育的专业性。
作者:布雷特-麦克莱恩,帕梅拉;姚,弗娜;摘要:论坛剧场(Forum Theatre, FT)是巴西戏剧导演奥古斯托·波尔(Augusto Boal, 1985)为其“为被压迫者而设的剧场”创造的一种促进观众与舞台表演者之间对话的方式。英国《金融时报》为探索具有挑战性的话题和情况提供了一种方便、互动的方式。在FT中,表演了一个简短的场景。然后一遍又一遍地重播,邀请观众进行干预,并为解决问题情况的各个方面提供不同的选择。《金融时报》最初旨在帮助人们解决和改变他们生活中的压迫状况,后来在许多不同的社区和环境中得到了发展和表达,包括卫生专业教育。受David Diamond(2008)的“生活剧场”模型(将生活社区视为复杂的、有生命的实体)的启发,我们在“牙科医学导论”(DMED 511)课程中引入了FT,该课程是牙科医学学院(FoMD)本科医学教育计划的一部分。在这篇文章中,我们描述了我们如何成功地让一年级医学和牙科学生讨论和批判性地反思与他们使用FT进行小组学习的经验相关的专业问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
0.00%
发文量
7
审稿时长
32 weeks
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