Indian temple architecture : form and transformation ; the Karṇāṭa Drāviḍa tradition, 7th to 13th centuries

IF 0.1 2区 艺术学 0 ART ARTIBUS ASIAE Pub Date : 1999-01-01 DOI:10.2307/3250027
A. Hardy
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引用次数: 38

Abstract

Transformation of forms of indian temples takes place through a dual process-time as well as space. This 2 patterns of transformation, through time and in space reflect one another closely. One of the richest traditions of temple building that India has produced took shape in the 7th century A.D,centred in what is now the state of Karanataka, and lasted until the 13th century. This was one of the 2 main branches of Dravida or southern temple architecture, giving rise to such famous temples as the Virupaksha, Pattadakal, the Kailasa, Ellora. The present volume shows how to look at this great monuments, and make their complex architecture accessible. It shows how the formal structure of a temple makes concrete the idea of manifestation of the eternal and infinite into the shifting multiplicity of existence and the limitless unity from which they have come.
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印度寺庙建筑:形式与转化7到13世纪的Karṇāṭa Drāviḍa传统
印度寺庙形态的转变是通过时间和空间的双重过程进行的。这两种转换模式,在时间和空间上相互密切反映。印度最丰富的传统寺庙建筑之一形成于公元7世纪,中心位于现在的卡纳塔克邦,一直持续到13世纪。这是陀罗毗陀或南方寺庙建筑的两个主要分支之一,产生了诸如Virupaksha, Pattadakal, Kailasa, Ellora等著名寺庙。本卷展示了如何看待这些伟大的纪念碑,并使其复杂的建筑易于访问。它展示了寺庙的形式结构是如何将永恒和无限的概念具体化的,变成了存在的变化的多样性和无限的统一性。
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来源期刊
ARTIBUS ASIAE
ARTIBUS ASIAE Multiple-
CiteScore
0.20
自引率
33.30%
发文量
0
期刊介绍: ARTIBUS ASIAE is a semi-annual publication of scholarly articles and research notes devoted to the history of art and archaeology of Asia. Initiated in 1925, it is now published by the Museum Rietberg Zurich in cooperation with the Arthur M. Sackler Gallery , Smithsonian Institution, Washington, D.C. Artibus Asiae Publishers have also produced over 45 monographs during the last eight decades (Supplementum Series).
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