Pub Date : 2023-05-01Epub Date: 2022-12-26DOI: 10.1177/01634437221135977
Tahleen A Lattimer, Yotam Ophir
Critical to managing a crisis such as COVID-19 is the propagation of information to all vulnerable populations. Despite guidelines regarding communicating with people with differing accessibility needs during crises, some often find their needs unmet. Following a lack of assisted communications for d/Deaf people during the COVID-19 pandemic, a Twitter hashtag campaign, #WhereIsTheInterpreter, was launched in the UK, protesting the lack of accessibility during official press briefings around the epidemic. The campaign received support from across the globe. This study analyzes the discourse around the campaign in tweets published from March 1st, 2020 and September 30th, 2021 (N = 27,021) and analyzed the corpus using the Analysis of Topic Model Network (ANTMN) approach. We identified four major themes of discourse: discrimination, accessibility challenges, communication gaps and barriers, and Deaf rights. We analyze the discourse through the perspective of Critical Disability Theory (CDT) and hashtag activism, and discuss practical and theoretical implications.
{"title":"Oppression by omission: An analysis of the #WhereIsTheInterpreter hashtag campaign around COVID-19 on Twitter.","authors":"Tahleen A Lattimer, Yotam Ophir","doi":"10.1177/01634437221135977","DOIUrl":"10.1177/01634437221135977","url":null,"abstract":"<p><p>Critical to managing a crisis such as COVID-19 is the propagation of information to all vulnerable populations. Despite guidelines regarding communicating with people with differing accessibility needs during crises, some often find their needs unmet. Following a lack of assisted communications for d/Deaf people during the COVID-19 pandemic, a Twitter hashtag campaign, #WhereIsTheInterpreter, was launched in the UK, protesting the lack of accessibility during official press briefings around the epidemic. The campaign received support from across the globe. This study analyzes the discourse around the campaign in tweets published from March 1st, 2020 and September 30th, 2021 (<i>N</i> = 27,021) and analyzed the corpus using the Analysis of Topic Model Network (ANTMN) approach. We identified four major themes of discourse: <i>discrimination</i>, <i>accessibility challenges</i>, <i>communication gaps and barriers</i>, and <i>Deaf rights</i>. We analyze the discourse through the perspective of Critical Disability Theory (CDT) and hashtag activism, and discuss practical and theoretical implications.</p>","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"20 1","pages":"769-784"},"PeriodicalIF":0.0,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9806198/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90476157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Return of the Buddha-Himanshu Prabha Ray 2014-08-07 The Return of the Buddha traces the development of Buddhist archaeology in colonial India, examines its impact on the reconstruction of India’s Buddhist past, and the making of a public and academic discourse around these archaeological discoveries. The book discusses the role of the state and modern Buddhist institutions in the reconstitution of national heritage through promulgation of laws for the protection of Buddhist monuments, acquiring of land around the sites, restoration of edifices, and organization of the display and dissemination of relics. It also highlights the engagement of prominent Indian figures, such as Nehru, Gandhi, Ambedkar, and Tagore, with Buddhist themes in their writings. Stressing upon the lasting legacy of Buddhism in independent India, the author explores the use of Buddhist symbols and imagery in nation-building and the making of the constitution, as also the recent efforts to resurrect Buddhist centers of learning such as Nalanda. With rich archival sources, the book will immensely interest scholars, researchers and students of modern Indian history, culture, archaeology, Buddhist studies, and heritage management.
{"title":"Return of the Buddha: the Qingzhou discoveries","authors":"L. Nickel","doi":"10.2307/3250269","DOIUrl":"https://doi.org/10.2307/3250269","url":null,"abstract":"The Return of the Buddha-Himanshu Prabha Ray 2014-08-07 The Return of the Buddha traces the development of Buddhist archaeology in colonial India, examines its impact on the reconstruction of India’s Buddhist past, and the making of a public and academic discourse around these archaeological discoveries. The book discusses the role of the state and modern Buddhist institutions in the reconstitution of national heritage through promulgation of laws for the protection of Buddhist monuments, acquiring of land around the sites, restoration of edifices, and organization of the display and dissemination of relics. It also highlights the engagement of prominent Indian figures, such as Nehru, Gandhi, Ambedkar, and Tagore, with Buddhist themes in their writings. Stressing upon the lasting legacy of Buddhism in independent India, the author explores the use of Buddhist symbols and imagery in nation-building and the making of the constitution, as also the recent efforts to resurrect Buddhist centers of learning such as Nalanda. With rich archival sources, the book will immensely interest scholars, researchers and students of modern Indian history, culture, archaeology, Buddhist studies, and heritage management.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"62 1","pages":"293"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250269","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68517737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Early Buddhist Art of China and Central Asia, Volume 2 The Eastern Chin and Sixteen Kingdoms Period in China and Tumshuk, Kucha and Karashahr in Central Asia (2 vols)","authors":"M. M. Rhie","doi":"10.1163/9789004391864","DOIUrl":"https://doi.org/10.1163/9789004391864","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"62 1","pages":"283"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"64543381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
En prenant pour exemple le temple de Kālikā a Jayapur, les auteurs se proposent d examiner la tradition des refections de peinture murale religieuse dans les temples de l Inde Orientale. Grâce aux carnets de modeles des ateliers et aux campagnes photographiques ayant documente le temple a differentes epoques, ils etudient la conception traditionnelles de la peinture murale de cette region et son evolution au cours du XXe siecle, ainsi que les normes iconographiques appliquees dans ce cadre aux representations des formes de Kālī. Ils apportent egalement une documentation sur une tradition disparaissant puisque les peintures du temple ont fait l objet d une derniere refection en 1994 selon les canons de l Inde contemporaine.
{"title":"Drawings for the renewal of murals: Notes on documents for murals of the Kālikā temple near Jayapur in the Koraput District, Orissa (India)","authors":"E. Fischer, Dinanath Pathy","doi":"10.2307/3250283","DOIUrl":"https://doi.org/10.2307/3250283","url":null,"abstract":"En prenant pour exemple le temple de Kālikā a Jayapur, les auteurs se proposent d examiner la tradition des refections de peinture murale religieuse dans les temples de l Inde Orientale. Grâce aux carnets de modeles des ateliers et aux campagnes photographiques ayant documente le temple a differentes epoques, ils etudient la conception traditionnelles de la peinture murale de cette region et son evolution au cours du XXe siecle, ainsi que les normes iconographiques appliquees dans ce cadre aux representations des formes de Kālī. Ils apportent egalement une documentation sur une tradition disparaissant puisque les peintures du temple ont fait l objet d une derniere refection en 1994 selon les canons de l Inde contemporaine.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"62 1","pages":"139-177"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250283","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68517546","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le terme siwei designe un type d icone votive bouddhique, figurant un bodhisattva pensif, tres populaire sous les Wei du Nord, les Wei de l'Est et les Qi du Nord. Ce type d icone se developpe a partir du milieu du Ve siecle, representant parfois Siddhārta meditant, parfois Maitreya, mais le plus souvent des devots associes a Maitreya, le donateur se visualisant ainsi comme meditant dans le Paradis de Tusita. A la fin du VIeme siecle le culte centre sur le paradis occidental Sukhāvatī d Amitābha, privilegiant les representations de d Amitābha entoure de ses compagnons celestes, supplante celui de Maitreya. Les icones siwei perdent alors leur signification rituelle et leur production s effondre.
{"title":"Visualization meditation and the siwei icon in Chinese buddhist sculpture","authors":"E. Hsu","doi":"10.2307/3250280","DOIUrl":"https://doi.org/10.2307/3250280","url":null,"abstract":"Le terme siwei designe un type d icone votive bouddhique, figurant un bodhisattva pensif, tres populaire sous les Wei du Nord, les Wei de l'Est et les Qi du Nord. Ce type d icone se developpe a partir du milieu du Ve siecle, representant parfois Siddhārta meditant, parfois Maitreya, mais le plus souvent des devots associes a Maitreya, le donateur se visualisant ainsi comme meditant dans le Paradis de Tusita. A la fin du VIeme siecle le culte centre sur le paradis occidental Sukhāvatī d Amitābha, privilegiant les representations de d Amitābha entoure de ses compagnons celestes, supplante celui de Maitreya. Les icones siwei perdent alors leur signification rituelle et leur production s effondre.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"62 1","pages":"5-32"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250280","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68517752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Le theme chinois du Lac Occidental est tres prise des peintres japonais a partir du XVe siecle. Il va etre l objet de deux paravents peints par Kano Sansetsu (1590-1651), montrant une vue du lac en automne (« Lune d Automne sur le lac placide») et une en hiver (« Neige persistante sur le Pont Duan »), mentionnees par l artiste comme faisant partie de la serie des Dix Vues du Lac Occidental. S interrogeant sur le choix de ces deux vues particulieres, l article se propose de remettre en contexte ces œuvres en etudiant les sources de l artiste (motifs issus des autres compositions de Kano Sansetsu ; representation de ce theme par son pere adoptif Kano Sanraku ; les sources litteraires telles le kōsoshū de Kano Ikkei ; la peinture et les ecrits des moines Gozen) ainsi que la signification sociale de ce theme artistique pour le peintre. Il demontre egalement comment, tout en s inspirant des motifs d œuvres chinoises ou des compositions de ses predecesseurs, Kano Sansetsu a su offrir une interpretation personnelle du theme du Lac Occidental.
{"title":"Autumn Moon and lingering snow: Kano Sansetsu's west lake screens","authors":"M. Mckelway","doi":"10.2307/3250281","DOIUrl":"https://doi.org/10.2307/3250281","url":null,"abstract":"Le theme chinois du Lac Occidental est tres prise des peintres japonais a partir du XVe siecle. Il va etre l objet de deux paravents peints par Kano Sansetsu (1590-1651), montrant une vue du lac en automne (« Lune d Automne sur le lac placide») et une en hiver (« Neige persistante sur le Pont Duan »), mentionnees par l artiste comme faisant partie de la serie des Dix Vues du Lac Occidental. S interrogeant sur le choix de ces deux vues particulieres, l article se propose de remettre en contexte ces œuvres en etudiant les sources de l artiste (motifs issus des autres compositions de Kano Sansetsu ; representation de ce theme par son pere adoptif Kano Sanraku ; les sources litteraires telles le kōsoshū de Kano Ikkei ; la peinture et les ecrits des moines Gozen) ainsi que la signification sociale de ce theme artistique pour le peintre. Il demontre egalement comment, tout en s inspirant des motifs d œuvres chinoises ou des compositions de ses predecesseurs, Kano Sansetsu a su offrir une interpretation personnelle du theme du Lac Occidental.","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"62 1","pages":"33-80"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250281","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68517914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pardah and Portrayal: Rajput women as subjects, patrons, and collectors","authors":"M. Aitken","doi":"10.2307/3250267","DOIUrl":"https://doi.org/10.2307/3250267","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"62 1","pages":"247-280"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250267","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68517291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"'Expanding Form': The Architectural Sculpture of the South Indian Temple, ca. 1500-1700","authors":"C. Branfoot","doi":"10.2307/3250266","DOIUrl":"https://doi.org/10.2307/3250266","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"62 1","pages":"189-245"},"PeriodicalIF":0.3,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3250266","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68517220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Realizing the Buddha's Dharma Body During the Mofa Period: A study of Liao Buddhist Relic Deposits","authors":"Hsueh-man Shen","doi":"10.2307/3249911","DOIUrl":"https://doi.org/10.2307/3249911","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"61 1","pages":"263-303"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249911","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68507620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An attempt to identify and classify scenes with a central Buddha depicted on ceilings of the Kyzil caves (former Kingdom of Kutcha, Central Asia)","authors":"Emmanuelle Lesbre","doi":"10.2307/3249912","DOIUrl":"https://doi.org/10.2307/3249912","url":null,"abstract":"","PeriodicalId":55951,"journal":{"name":"ARTIBUS ASIAE","volume":"61 1","pages":"305-352"},"PeriodicalIF":0.3,"publicationDate":"2001-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3249912","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68508179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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