{"title":"A Poussin Problem","authors":"Richard E. Spear","doi":"10.2307/1483703","DOIUrl":null,"url":null,"abstract":"A large drawing on seventeenth-century French paper of a Putto in Flight bearing an old attribution to Poussin corresponds in size and design to a putto in Le Temps et la Verite, painted for Cardinal Richelieu by Poussin in the Palais Royal in Paris in 1641. Stylistically anomalous in the corpus of Poussin's known oeuvre, it \"should\" be a copy - perhaps by young Charles Le Brun, who was working in the same palace at the same time - though this explains neither its variations from the painting nor what kind of preparatory work was required for Poussin to execute Le Temps et la Verite.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"23 1","pages":"157-161"},"PeriodicalIF":0.1000,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483703","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483703","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
A large drawing on seventeenth-century French paper of a Putto in Flight bearing an old attribution to Poussin corresponds in size and design to a putto in Le Temps et la Verite, painted for Cardinal Richelieu by Poussin in the Palais Royal in Paris in 1641. Stylistically anomalous in the corpus of Poussin's known oeuvre, it "should" be a copy - perhaps by young Charles Le Brun, who was working in the same palace at the same time - though this explains neither its variations from the painting nor what kind of preparatory work was required for Poussin to execute Le Temps et la Verite.
在17世纪的法国纸上，有一幅很大的飞行中的托托，上面写着普桑的旧名画，在大小和设计上与1641年普桑在巴黎皇家宫殿为黎塞留红衣主教画的《Temps et la Verite》中的托托相当。在普桑已知的全部作品中，这幅画在风格上是反常的，它“应该”是一幅复制品——也许是年轻的查尔斯·勒布伦(Charles Le Brun)的作品，他当时在同一座宫殿里工作——尽管这既不能解释它与这幅画的变化，也不能解释普桑创作《Temps et la Verite》需要什么样的准备工作。
期刊介绍：
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
