Plasticity and Awareness of Bodily Distortion.

IF 0.1 3区 艺术学 0 ART Artibus et Historiae Pub Date : 2016-01-01 Epub Date: 2016-08-18 DOI:10.1155/2016/9834340
Mariella Pazzaglia, Marta Zantedeschi
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Abstract

Knowledge of the body is filtered by perceptual information, recalibrated through predominantly innate stored information, and neurally mediated by direct sensory motor information. Despite multiple sources, the immediate prediction, construction, and evaluation of one's body are distorted. The origins of such distortions are unclear. In this review, we consider three possible sources of awareness that inform body distortion. First, the precision in the body metric may be based on the sight and positioning sense of a particular body segment. This view provides information on the dual nature of body representation, the reliability of a conscious body image, and implicit alterations in the metrics and positional correspondence of body parts. Second, body awareness may reflect an innate organizational experience of unity and continuity in the brain, with no strong isomorphism to body morphology. Third, body awareness may be based on efferent/afferent neural signals, suggesting that major body distortions may result from changes in neural sensorimotor experiences. All these views can be supported empirically, suggesting that body awareness is synthesized from multimodal integration and the temporal constancy of multiple body representations. For each of these views, we briefly discuss abnormalities and therapeutic strategies for correcting the bodily distortions in various clinical disorders.

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身体变形的可塑性和意识。
对身体的认识要经过感知信息的过滤、先天储存信息的重新调整以及直接感官运动信息的神经介导。尽管有多种来源,但对自己身体的直接预测、构建和评价都是扭曲的。这种扭曲的根源尚不清楚。在这篇综述中,我们考虑了身体扭曲的三种可能的意识来源。首先,身体度量的精确度可能基于特定身体部位的视觉和定位感。这种观点提供了有关身体表征的双重性质、有意识的身体形象的可靠性以及身体部位的度量和位置对应关系的隐性改变的信息。其次,身体意识可能反映了大脑对统一性和连续性的先天组织经验,与身体形态没有很强的同构性。第三,身体意识可能建立在传出/传入神经信号的基础上,这表明身体的重大扭曲可能源于神经感觉运动经验的变化。所有这些观点都可以得到经验上的支持,表明身体意识是由多模态整合和多种身体表征的时间恒定性合成的。针对上述每种观点,我们将简要讨论各种临床疾病的异常现象和纠正身体扭曲的治疗策略。
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期刊介绍: Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.
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