{"title":"English Engravings of Picturesque Views after Jean Pillement (1728-1808)","authors":"M. Gordon-Smith","doi":"10.2307/1483748","DOIUrl":null,"url":null,"abstract":"In 1754 when Jean Pillement, after a successful stay in Spain and Portugal, arrived in London at the age of twenty six, the English economy was enjoying a dynamic growth which had a direct repercussion on the art market. Thanks to the extraordinary public demand of the time for fine prints of desirable works of art, an artist's stature and fame was directly related to the number of his printed works circulated domestically and abroad. Pillement succeeded in taking full advantage of the opportunities which engravings offered in England; not only through his talent for draughtmanship but also through the renderings of his drawings by first class engravers and etchers, native and imported. It was in England that many of his ornamental designs were first engraved and published. It is also where Pillement began to turn his attention to landscape drawing and painting. His pastoral scenes, seascapes and picturesque views found an appreciative clientele in London. His stay of ten years in England opened to him as well the French market for engravings and established his reputation as a brilliant ornamentalist as well as a landscape artist.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"25 1","pages":"65-86"},"PeriodicalIF":0.1000,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/1483748","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/1483748","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
In 1754 when Jean Pillement, after a successful stay in Spain and Portugal, arrived in London at the age of twenty six, the English economy was enjoying a dynamic growth which had a direct repercussion on the art market. Thanks to the extraordinary public demand of the time for fine prints of desirable works of art, an artist's stature and fame was directly related to the number of his printed works circulated domestically and abroad. Pillement succeeded in taking full advantage of the opportunities which engravings offered in England; not only through his talent for draughtmanship but also through the renderings of his drawings by first class engravers and etchers, native and imported. It was in England that many of his ornamental designs were first engraved and published. It is also where Pillement began to turn his attention to landscape drawing and painting. His pastoral scenes, seascapes and picturesque views found an appreciative clientele in London. His stay of ten years in England opened to him as well the French market for engravings and established his reputation as a brilliant ornamentalist as well as a landscape artist.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.