Written on the Body

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION SIGHT AND SOUND Pub Date : 2021-10-12 DOI:10.2307/j.ctv1wmz40c
L. Mugglestone
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引用次数: 1

Abstract

This chapter examines the language of illness, sickness, and death in war-time use – in a domain which offered its own conflicted spaces of both erasure and over-lexicalisation, and euphemism alongside dysphemism. As Clark’s ‘Words in War-Time’, records, popular discourses of health readily appropriated military metaphors in ways that evoked other synergies between Home and active fronts (‘If your line of health is “weakly held” strengthen your forces with Bovril’, as advertising in the Scotsman announced in March 1915). In contrast, human vulnerabilities as embedded in trench warfare as literal rather than metaphorical process yielded a rapidly expanding lexicon, evident in the shifting understanding of trench foot, trench fever, and frostbite, or the reorientation of the diction of nerves and nerviness in which shellshock (and raid-shock on the Home Front) can remain prominent legacies.
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写在身上
本章考察了战时使用的疾病、疾病和死亡语言——在这个领域,它提供了自己的冲突空间,既有抹除,也有过度词汇化,委婉语也有委婉语。正如克拉克在《战时的话语》中所记载的那样,关于健康的流行话语很容易借用军事隐喻,以唤起家庭和积极前线之间的其他协同作用(“如果你的健康线被“弱守”,“用Bovril加强你的力量”,正如1915年3月《苏格兰人》上的广告所宣布的那样)。相比之下,堑壕战中嵌入的人类弱点作为字面上的而不是隐喻的过程产生了一个迅速扩大的词汇,这在对堑壕足、堑壕热和冻伤的理解的转变中很明显,或者在对神经和紧张的措辞的重新定位中,炮弹休克(以及大后方的突袭休克)仍然是突出的遗产。
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SIGHT AND SOUND
SIGHT AND SOUND FILM, RADIO, TELEVISION-
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Written on the Body Arms and the Man: CHAPTER 3 Seeing a Thing CHAPTER 2 Knowing Sound Conventions
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