Being in the Black Queer Diaspora: Embodied Archives in A Map to the Door of No Return

IF 0.3 Q4 WOMENS STUDIES Journal of Feminist Scholarship Pub Date : 2021-01-01 DOI:10.23860/jfs.2021.19.07
Alexandria Smith
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引用次数: 1

Abstract

: Poet, novelist, and essayist Dionne Brand’s unconventional memoir, A Map to the Door of No Return (2001) provides a method for identifying how the embodied experiences of Black queer subjects form an archive for understanding operations of power within Black queer diasporas. Using the analytic of sensual worldmaking, a term I use to describe Black feminist narrative writing that locates embodied erotic and sensual experience as an authorizing source of knowledge about identity-based power dynamics, I illustrate how A Map to the Door of No Return offers a Black queer archive of experiences and narratives in the Black diaspora. Brand manipulates the form of memoir to produce a creative text woven from multiple archives: the author-speaker’s Black lesbian embodied experiences, colonial journals and travelogues, and the archive of metaphors used by Black subjects to narrate and understand the African diaspora. In so doing, Brand constructs what Marlene Goldman (2004) calls a “community of witnesses” to diasporic Black queerness.
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身处黑人酷儿散居:在通往不归之门的地图上体现的档案
诗人、小说家、散文家迪翁·布兰德的非传统回忆录《通往不归路之门的地图》(2001)提供了一种方法,来确定黑人酷儿主题的具体经历如何形成一个档案,以理解黑人酷儿散居群体内部的权力运作。通过感性世界建构的分析,我用这个术语来描述黑人女权主义叙事写作,它将具体的色情和感性经验作为基于身份的权力动态知识的授权来源,我说明了《通往不归之门的地图》如何为黑人侨民的经历和叙事提供了一个黑人酷儿档案。布兰德运用回忆录的形式,从多种档案中编织出一种创造性的文本:作者兼演讲者的黑人女同性恋代表经历,殖民日记和旅行记录,以及黑人主体用来叙述和理解非洲侨民的隐喻档案。在这样做的过程中,布兰德构建了马琳·戈德曼(2004)所说的散居黑人酷儿的“目击者社区”。
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