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Journal of Feminist Scholarship最新文献

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The Centrality of Community in Education about Gender-Based Violence 社区在基于性别的暴力教育中的中心地位
IF 0.2 Pub Date : 2023-06-20 DOI: 10.23860/jfs.2023.22.02
Catherine Vanner
: The Time to Teach about Gender-Based Violence in Canada project asked teacher and student participants how Canadian educators could improve young people’s critical consciousness in relation to gender-based violence. Data collection involved individual interviews with 14 teachers, participatory workshops with three groups of students, and a virtual workshop in which teacher participants validated and expanded upon initial analysis of their interview data and responded to cellphilms produced in the student workshops. Drawing upon feminist and engaged pedagogy and situating gender-based violence as a form of difficult knowledge, analysis identifies community as a central concept for effective teaching about gender-based violence from both teacher and student perspectives. The concept of community is broken down into creating community, teaching in community, and connecting with communities. Teacher participants indicated that their capacity to create and sustain transformative learning communities would be enhanced by further support from the educational communities that they are members of.
:“加拿大基于性别的暴力教学时间”项目询问了教师和学生参与者,加拿大教育工作者如何提高年轻人对基于性别暴力的批判意识。数据收集包括对14名教师的个人访谈,对三组学生的参与式研讨会,以及一个虚拟研讨会,在该研讨会中,教师参与者在对访谈数据的初步分析基础上进行验证和扩展,并对学生研讨会中产生的细胞模型做出回应。分析借鉴了女权主义和参与式教育法,并将基于性别的暴力视为一种困难知识,将社区确定为从教师和学生角度有效教授基于性别暴力的核心概念。社区的概念被分解为创建社区、在社区中教学和与社区联系。教师参与者表示,他们所属教育社区的进一步支持将增强他们创建和维持变革性学习社区的能力。
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引用次数: 0
Quiet Rebellions: An Interview with Gothataone Moeng 安静的反抗军:哥他通·莫恩访谈录
IF 0.2 Pub Date : 2023-06-20 DOI: 10.23860/jfs.2023.22.04
Anupama Arora, Sandrine Sanos
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引用次数: 0
Criticizing Paywall Publishing, or Integrating Open Access into Feminist Movement 批判Paywall出版,或将开放获取融入女权运动
IF 0.2 Pub Date : 2023-06-20 DOI: 10.23860/jfs.2023.22.01
Meggie Mapes, Terigele Terigele
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引用次数: 0
’90s “It Girls”: Britpop at the Postfeminist Intermezzo 90年代的“It Girls”:后女权主义间奏曲中的英国流行音乐
IF 0.2 Pub Date : 2023-06-20 DOI: 10.23860/jfs.2023.22.03
B. Halligan
: In considering the Britpop genre of music and its moment of popularity in the mid/late-1990s, the few female-fronted Britpop groups created space for more compelling articulations of existential matters than were to be found in standard Britpop fare. This article argues these articulations are most appropriately read as arising from a moment of feminist thought in transition: a premature “victory,” under the sign of postfeminism, in which the struggles of Second Wave feminists could be seen to have delivered equality. This moment results in an encroaching and contested sense of entry into maturity, and a loss of youth. The groups examined in this article — Elastica, Echobelly and particularly Sleeper — articulate something of the lived condition of postfeminism and a sense of its concerns and uncertainties (emotional, ethical, existential) in this short-lived period. Additionally, the article tracks the development in the movement from the “wild child,” “It Girl” of the early 1990s through the figure of the ladet te (which found a resonance in female-fronted Britpop groups), and thereafter to the emergence of a sexualized celebrity feminism, under the sign of Third Wave feminism.
:考虑到英国流行音乐流派及其在20世纪90年代中后期的流行时刻,少数女性主唱的英国流行音乐团体为比标准英国流行音乐更引人注目的存在主义问题创造了空间。这篇文章认为,这些表述最恰当地解读为源自转型中的女权主义思想:一场过早的“胜利”,打着后女权主义的旗号,在这场胜利中,第二波女权主义者的斗争可以被视为实现了平等。这一刻导致了一种进入成熟期的侵犯感和竞争感,以及青春的丧失。这篇文章中研究的群体——Elastica、Echobelly,尤其是Sleeper——阐明了后女权主义的生存状况,以及在这一短暂时期内对其关注和不确定性(情感、伦理、生存)的感觉。此外,这篇文章还追踪了这场运动的发展,从20世纪90年代初的“野孩子”、“It女孩”到ladet te的形象(这在女性主导的英国流行音乐团体中引起了共鸣),再到后来在第三波女权主义的标志下出现的性化名人女权主义。
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引用次数: 0
Miss Lebanon: The Digital Age’s Way of Maintaining the Gender Gap 黎巴嫩小姐:数字时代维持性别差距的方式
IF 0.2 Pub Date : 2022-01-01 DOI: 10.23860/jfs.2022.20.06
Ali Badereddine
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引用次数: 0
Filming Women: A Conversation with Alankrita Shrivastava 拍摄女性:与Alankrita Shrivastava的对话
IF 0.2 Pub Date : 2022-01-01 DOI: 10.23860/jfs.2022.21.2
Anupama Arora, Sandrine Sanos, Gohar Siddiqui
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引用次数: 0
Decentralizing Feminist Theory From Academia: Bringing Transfeminism and Disability Justice Home with Sarah Ahmed 从学术界去中心化女权主义理论:与莎拉·艾哈迈德一起将跨性别女权主义和残疾正义带回家
IF 0.2 Pub Date : 2022-01-01 DOI: 10.23860/jfs.2022.20.08
Maeve Conway
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引用次数: 1
Pedagogies of the “Irresistible:” Imaginative Elsewheres of Black Feminist Learning “不可抗拒”的教育学:黑人女权主义学习的想象之处
IF 0.2 Pub Date : 2022-01-01 DOI: 10.23860/jfs.2022.20.01
M. Sullivan
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引用次数: 0
The Digital Age: Our Feminist Echo Chamber 数字时代:我们的女权主义回音室
IF 0.2 Pub Date : 2022-01-01 DOI: 10.23860/jfs.2022.20.13
Amanda J. Nguyen
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引用次数: 2
COVID as Glitch: (Re)Visioning and (Re)Crafting a Feminist Future COVID作为故障:(重新)设想和(重新)塑造女权主义的未来
IF 0.2 Pub Date : 2022-01-01 DOI: 10.23860/jfs.2022.21.5
Farrah M. Cato
Many scholars and commentators argue that the COVID-19 pandemic demonstrates the ways in which feminism has failed women. While women, particularly in marginalized communities, have been disproportionately affected by the pandemic, I contend that we should approach it as an opportunity to reenvision, and even shape, what feminist futures can look like. The pandemic provoked an increased interest in crafting, both because of quarantine conditions and the need for many requiring masks to slow viral transmission. The COVID-19 pandemic, then, serves as the tipping point by which craft can and does function as resistive and transformative feminist work with the potential to "glitch" oppressive systems. Building on the research of Shira Chess, Tricia Hersey, and especially Legacy Russell's vision of "Glitch Feminism," I argue that craft is a vital way to reconfigure our theory and practice about what constitutes appropriate work, play, and rest. Reenvisioned, craft and other forms of making are embodied, resistive actions anchored in an ethic of care for self and others, thereby offering us practical examples of "glitch feminism" at a key point in time. The pandemic is not only a tipping point, but also a springboard for glitching the system in an effort to create more just and equitable futures for all.
许多学者和评论家认为,新冠肺炎疫情证明了女权主义对女性的失败。虽然妇女,特别是边缘化社区的妇女,受到这一流行病的不成比例的影响,但我认为,我们应该将其视为重新设想甚至塑造女权主义未来的机会。由于隔离条件和许多人需要口罩来减缓病毒传播,大流行引发了人们对手工制作的兴趣增加。因此,2019冠状病毒病大流行是一个转折点,在这个转折点上,工艺可以而且确实发挥了抵抗性和变革性女权主义作品的作用,有可能“破坏”压迫性制度。基于Shira Chess, Tricia Hersey,尤其是Legacy Russell对“故障女权主义”的研究,我认为工艺是重新配置我们关于什么是适当的工作,娱乐和休息的理论和实践的重要途径。重新设想,工艺和其他形式的制作体现了一种对自我和他人的关怀伦理的抵抗行为,从而在一个关键的时间点上为我们提供了“故障女权主义”的实际例子。这场大流行不仅是一个转折点,而且是一个跳板,可以在努力为所有人创造更公正和公平的未来的过程中对系统进行故障处理。
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引用次数: 0
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Journal of Feminist Scholarship
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