Geometric versus Meat-Ineffable (1994)

IF 0.1 3区 文学 0 LITERARY REVIEWS CHICAGO REVIEW Pub Date : 2001-12-22 DOI:10.2307/25304803
Stan Brakhage
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Abstract

From "time...en dit" There are two pictorial extremes of human thought process--The Geometric and (what I like to call) Meat-ineffable...no "the" before "Meat"--inasmuch as raw cells are such a diversity of impulse as to defy hierarchy. To be sure, it is such diversity-of-cells' electrical arcing which hatches The Geometric also, but it does so in spite of the originating cell structure irregularities--as an act-of-spark, I'd guess, or rather in organized emulation of the energies of their synapse process...as an Ideal, so to speak, of the "straight" energetic snap-line between two cells, the triangle between three, square four, soforth on up the scale of "hedrons" until a "circle" can be inferred. It is all (i.e. Geometrical Thought) inferred, inasmuch as meat energies move in waves, as pulse: but the inference is intrinsic to Humans, existing only in Nature where Humans are-as anyone knows who has flown over wilderness and then, from an airplane window, spotted the beginning of Farm or Town. The so-called geometrics of the bee-hive, or of the flies' eyes, are (upon closer inspection) mere approximates of such as the Human Mind imagines--and then "reads into" the microcosms of Nature--as are the idealized circles of suns, the rectangles of rock formation, or those fractured symmetries of the Crystalline so prized by humans, all approximations of The Geometrical Mind (including Towns and Farms) which when presented to human sensibility are prized simply because the imaging of them (through the viscous meaty orbs of human receptivity) is more easily absorbed as corollary of a mental ideal than, say, the ordinarily overwhelming multiplicity of most of Nature's irregularly globular and disjunctly fretted entanglementof-curves impinging (via radiant waves) upon the senses. The Human Mind has fashioned its Ideal in despite and despising of its self's pulp of animal being-an ordering at the expense of cell's self...a bureaucracy of...a veritable facism of...sense's sense of self. Language is but an offspring of this mode-of-thought, for all words are but signs evolved from, and implicit in, the geometries of thinking. Contrarily, and as an antidote to the rigidities of The Geometric, Meat-ineffable is that steady inclination of the brain to mimeticize its intrinsically variable shapes as visible manifestations resistant to either name or category but true (in its variability, to begin with) to the very organic mode (as distinct from process) of its own existence. Whether there are, or are not, straight lines in Nature is beside the point: we are too viscous to receive them as such...thus they must, if that IS The Ideal, be invented by thought. Words are, at scratch, but a glyphic extension of Geometric thought inasmuch as words can be seen as signs which (certainly as hieroglyphs) abstract the phenomenological input of the visible world. These signifiers later evolve to make oblique reference to ear's intake, as the tongue is given further (and more abstracted) cues for mouth reference to invisibiities (as when hieroglyphic cultures compound noun-like picture- glyphs to express the tensions of actions and transitions): it only remained for the cultures with curving and coiling glyphs, such as the Arabic, to extend nomenclature into the utterly abstract. If the term "Picture" is defined as "a collection of nameable shapes within a frame," then it can be seen that the whorled and coiled insides of hearing have allowed the indefinable shifts of cell-life to mimic themselves, again-to allow Meat Conscious to begin again to express its self-shapes in picture making. But once "Picture" is defined as "a collection of nameable shapes in composition within a frame," then the ordering of those shapes inexorably comes under laws, as it were, of compositional logic; so that the ordering increasingly implies connective lines, triangles, squares, so forth, of compositional logic, thus The Geometric herds pictorial forms with near-absolute authority over every Meat shape within the Geometric grid and (as these are "nameable shapes") herds each Geometrically disposed reference of shape to external World. …
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几何对肉——不可言喻(1994)
从“时间…“人类思维过程有两个形象化的极端——几何的和(我喜欢称之为)肉的——不可言喻的……没有“肉”之前的“the”——因为原始细胞是如此多样化的冲动,以至于蔑视等级。可以肯定的是,正是这种细胞的电弧多样性孕育了“几何”,但它是在细胞结构不规则的情况下孕育出来的——我猜,这是一种火花的行为,或者更确切地说,是对突触过程能量的有组织的模拟……作为一种理想,可以这么说,两个细胞之间的“直的”能量扣线,三个细胞之间的三角形,四个细胞之间的正方形,以此类推,直到可以推断出一个“圆”。这一切都是推断出来的(即几何思想),因为肉的能量像脉冲一样以波的形式运动着;但这种推断是人类固有的,只存在于人类所在的自然界中——任何一个飞过荒野,然后从飞机窗口看到农场或城镇的开端的人都知道。所谓的蜂巢或苍蝇眼睛的几何形状,(如果仔细观察的话)只不过是人类头脑想象的近似值——然后“解读”自然的微观世界——就像理想化的太阳的圆圈,岩石的矩形,或那些被人类如此珍视的水晶的破碎的对称一样。所有几何心灵的近似(包括城镇和农场),当呈现给人类的感受力时,都是珍贵的,因为它们的图像(通过人类接受能力的粘稠的肉质球体)更容易被吸收为一种精神理想的必然结果,而不是通常压倒性的自然界大多数不规则的球形和离散的微扰纠缠曲线的多样性(通过辐射波)冲击感官。人类的心灵在无视和蔑视自己的兽性本质的情况下塑造了自己的理想——一种以牺牲细胞的自我为代价的秩序……官僚主义的……一个真正的……感官的自我意识。语言不过是这种思维方式的产物,因为所有的文字都不过是由思维的几何图形演变而来的符号,并隐含在其中。相反,作为《几何》僵化的解毒剂,不可言说的是,大脑稳定地倾向于将其内在可变的形状最小化,使其成为可见的表现形式,既不受名称或类别的影响,也不受自身存在的有机模式(与过程不同)的影响。不管自然界是否有直线,这都无关紧要:我们太粘了,无法接受直线……因此,如果理想就是理想的话,它们就必须由思想创造出来。从根本上说,文字不过是几何思想的一种象形文字的延伸,因为文字可以被看作是抽象了可见世界的现象学输入的符号(当然是象形文字)。这些能指后来演变成间接指向耳朵的入口,因为舌头被给予了进一步的(和更抽象的)暗示,让嘴巴指向不可见的东西(就像当象形文字文化把像名词一样的图画形像组合在一起,以表达行动和过渡的紧张):它只存在于具有弯曲和卷曲形像的文化中,比如阿拉伯语,将命名法扩展到完全抽象的领域。如果将“图像”定义为“一个框架内可命名的形状的集合”,那么可以看出,听觉的旋转和盘绕内部允许细胞生命的不可定义的变化来模仿自己,再次允许肉意识开始在图像制作中表达其自我形状。但是,一旦“图画”被定义为“在一个框架内组成的可命名形状的集合”,那么这些形状的顺序就不可避免地要服从构成逻辑的规律;因此,这种排序越来越暗示着构成逻辑的连接线、三角形、正方形等等,因此,《几何》对几何网格中的每一个图形形式都具有近乎绝对的权威,并且(因为这些是“可命名的形状”)对每一个形状的外部世界都有几何上的参考。...
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CHICAGO REVIEW
CHICAGO REVIEW LITERARY REVIEWS-
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