{"title":"Michelangelo's \"Laocoön?\"","authors":"Lynn Catterson","doi":"10.2307/20067096","DOIUrl":null,"url":null,"abstract":"The sculptural group of Laocoon and his Sons in the Vatican is considered to be one of the most famous and influential representatives of antiquity to survive. Described by Pliny the Elder as superior to all works, it was discovered in 1506 in a vineyard in Rome and authenticated at the site by Giuliano da Sangallo, with Michelangelo Buonarroti in tow. It was immediately acquired by Pope Julius II who installed it in the Cortile Belvedere of the Vatican, where it has been ever since. Although scholars have long sought to determine the precise origin of the Laocoon - whether it is a Greek original or a Roman copy, and to fix its date of manufacture somewhere between the mid-third century BC and the second century AD - no one has ever questioned its authenticity. A reevaluation of the Laocoon and the circumstances of its \"discovery\" together with new evidence culled from drawings and letters lead to the conclusion that the statue is probably a modern forgery by Michelangelo.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"26 1","pages":"29-56"},"PeriodicalIF":0.1000,"publicationDate":"2005-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20067096","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/20067096","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 5
Abstract
The sculptural group of Laocoon and his Sons in the Vatican is considered to be one of the most famous and influential representatives of antiquity to survive. Described by Pliny the Elder as superior to all works, it was discovered in 1506 in a vineyard in Rome and authenticated at the site by Giuliano da Sangallo, with Michelangelo Buonarroti in tow. It was immediately acquired by Pope Julius II who installed it in the Cortile Belvedere of the Vatican, where it has been ever since. Although scholars have long sought to determine the precise origin of the Laocoon - whether it is a Greek original or a Roman copy, and to fix its date of manufacture somewhere between the mid-third century BC and the second century AD - no one has ever questioned its authenticity. A reevaluation of the Laocoon and the circumstances of its "discovery" together with new evidence culled from drawings and letters lead to the conclusion that the statue is probably a modern forgery by Michelangelo.
梵蒂冈的拉奥孔和他的儿子们雕塑群被认为是现存的最著名和最有影响力的古代代表之一。它于1506年在罗马的一个葡萄园中被发现,并由朱利亚诺·达·桑加洛(Giuliano da Sangallo)在现场进行了鉴定,米开朗基罗·博纳罗蒂(Michelangelo Buonarroti)也在后面。教皇尤利乌斯二世立即得到了它,并将它安置在梵蒂冈的观景宫,从那时起它就一直在那里。虽然学者们长期以来一直试图确定拉奥孔的确切起源——它是希腊的原作还是罗马的复制品,并确定它的制造日期在公元前三世纪中叶到公元二世纪之间——但从来没有人质疑过它的真实性。对拉奥孔雕像的重新评估,以及它被“发现”的情况,再加上从图纸和信件中挑选出来的新证据,得出的结论是,这座雕像很可能是米开朗基罗的现代赝品。
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.