Composition As Experience: John Dewey on Creative Expression and the Origins of"Mind"

IF 0.5 0 LITERATURE COLLEGE COMPOSITION AND COMMUNICATION Pub Date : 2003-12-01 DOI:10.2307/3594217
Nathan Crick
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引用次数: 17

Abstract

Although the Bartholomae/Elbow debate is often framed as a modern conflict between the advocates of "academic" and "personal" writing, it is more appropriately viewed as the most recent manifestation of the historical clash between expressivism and constructivism. However, both sides of this conflict, which split over whether to see writing as a product of the mind or of an external discourse, rest upon a dualist assumption that the primary task of language is to provide linguistic representations of a transcendental ego. This essay first draws from the work of Richard Rorty and John Dewey in order to critique the dualist legacy of the expressivist/constructivist debate and then explicates Dewey's views on mind, language, and experience in order to reconstruct a pragmatic philosophy of communication and a progressive composition pedagogy.
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作为经验的写作:杜威论创造性表达与“心灵”的起源
尽管Bartholomae/肘部之争经常被认为是“学术”和“个人”写作倡导者之间的现代冲突,但它更应该被视为表现主义和建构主义之间历史冲突的最新表现。然而,这场冲突的双方,在是否将写作视为心灵的产物或外部话语的问题上分裂,都基于一个二元论的假设,即语言的主要任务是提供先验自我的语言表征。本文首先借鉴了理查德·罗蒂和约翰·杜威的作品,以批判表现主义/建构主义辩论的二元论遗产,然后阐述了杜威关于心灵、语言和经验的观点,以重建一种实用主义的交流哲学和一种进步的作文教学法。
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来源期刊
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1.10
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期刊介绍: College Composition and Communication publishes research and scholarship in rhetoric and composition studies that supports college teachers in reflecting on and improving their practices in teaching writing and that reflects the most current scholarship and theory in the field.
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