Ich will (k)ein Kind!

O. Kosenko, I. Polianski
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引用次数: 1

Abstract

The present contribution analyses the sanitary theatre performances as a means of education about the freedom of abortions in the early 1920s and the propaganda of motherhood in the late 1930s in the Soviet Union. It asks in which images, figures and actions medical knowledge was presented on stage, to what extend they reflected the evolution in gender concepts, which genre traditions and communicative instruments were used and on which changing political implications those performances were based. To obtain this the archive sources, selected texts of sanitary mock trials and dramas, reports and reviews in daily press have been evaluated.
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本文分析了20世纪20年代早期的卫生戏剧表演作为教育堕胎自由的手段,以及30年代末苏联对母性的宣传。它询问在舞台上展示了哪些图像、人物和行动,这些图像、人物和行动在多大程度上反映了性别概念的演变,使用了哪些流派传统和交流工具,以及这些表演基于哪些不断变化的政治含义。为此,对档案资料、卫生模拟审判和戏剧的选定文本、每日新闻界的报告和评论进行了评价。
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