Parrots and Poets in Late Medieval Literature

IF 1.7 2区 农林科学 Q2 SOCIOLOGY Anthrozoos Pub Date : 1999-06-01 DOI:10.2752/089279399787000345
M. T. Mcmunn
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引用次数: 3

Abstract

ABSTRACTParrots have been kept as pets in the West since Classical antiquity, and they appear frequently in art. However, they are rarely represented in European literature until the end of the Middle Ages. “Le Chevalier du Papegau” (late fourteenth century, anonymous), “Les Epitres de l'Amant Vert” (1505) by Jean Lemaire de Belges, and “The Testament and Complaynt of Our Soverane Lordis Papyngo” (1529) by Sir David Lindsay all employ speaking parrot protagonists. Analysis and comparison of the parrot characters in these three works demonstrates some of the ways in which the parrot species' ability to mimic human speech provides a vehicle which medieval and Renaissance authors used for entertainment, social commentary, and moral instruction.
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中世纪晚期文学中的鹦鹉和诗人
【摘要】西方自古以来就把鹦鹉当作宠物饲养,鹦鹉在艺术作品中频频出现。然而,直到中世纪末期,他们才在欧洲文学中出现。《帕皮高骑士》(14世纪晚期,佚名)、让·勒梅尔·德·比利时的《阿曼特维尔的赞歌》(1505年)和大卫·林赛爵士的《帕皮高勋爵的遗嘱与抱怨》(1529年)都使用了会说话的鹦鹉作为主角。对这三部作品中鹦鹉角色的分析和比较表明,鹦鹉这种模仿人类语言的能力为中世纪和文艺复兴时期的作家提供了一种娱乐、社会评论和道德指导的工具。
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来源期刊
Anthrozoos
Anthrozoos 农林科学-兽医学
CiteScore
3.40
自引率
18.80%
发文量
43
审稿时长
>36 weeks
期刊介绍: A vital forum for academic dialogue on human-animal relations, Anthrozoös is a quarterly, peer-reviewed journal that has enjoyed a distinguished history as a pioneer in the field since its launch in 1987. The key premise of Anthrozoös is to address the characteristics and consequences of interactions and relationships between people and non-human animals across areas as varied as anthropology, ethology, medicine, psychology, veterinary medicine and zoology. Articles therefore cover the full range of human–animal relations, from their treatment in the arts and humanities, through to behavioral, biological, social and health sciences.
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