New Media in Linguistic and Stylistic Coverage

Q2 Arts and Humanities Kritika i Semiotika Pub Date : 2020-01-01 DOI:10.25205/2307-1737-2020-2-413-426
O. Orlova
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Abstract

The article presents the theoretical substantiation of the methodological crisis of modern stylistics concerning the language of new media. The key factors and contradictions that explain the explanatory reduction of the theories of linguistic and stylistic norms as a single reference model for the selection and organization of linguistic means and literary language as the highest form of linguistic existence are revealed. The transition from national vertical conventionality in speech and norm-making to horizontal conventionality, conventionality of Internet communities, is stimulated by the liberation of authorship (the possibility and reality of introducing an unlimited range of language personalities to free public textual activity) in new media, as well as the change of the constructive principle of social communication in the Internet media sphere as a whole from hierarchical to network, heterarchic. The definition of new media as any information and communication resources of the Internet with the qualities of public distribution and free communication of users in the form of receptive and productive textual activity is proposed as one of the topical for stylistics.
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语言和文体报道中的新媒体
本文提出了新媒体语言的现代文体学方法论危机的理论依据。揭示了语言和文体规范理论作为语言手段选择和组织的单一参考模型和文学语言作为语言存在的最高形式的解释性缩减的关键因素和矛盾。新媒体中作者身份的解放(将无限范围的语言个性引入自由的公共文本活动的可能性和现实性),以及整个网络媒体领域社会传播的建构原则从层级化向网络化、异质化转变,激发了国家在言语和规范制定上的纵向约定俗成向互联网社区的横向约定俗成的转变。新媒体的定义是互联网上的任何信息和传播资源,以接受性和生产性文本活动的形式,具有公共分发和用户自由交流的性质,是文体学的主题之一。
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来源期刊
Kritika i Semiotika
Kritika i Semiotika Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
15
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