Collaborative Craft Capabilities: The Bodyhood of Shared Skills

IF 0.2 3区 艺术学 N/A ART Journal of Modern Craft Pub Date : 2013-07-01 DOI:10.2752/174967813X13703633980731
Otto von Busch
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引用次数: 21

Abstract

Abstract With the rise of the Internet, skills, patterns, and ideas are being shared more widely among people engaged in the crafts, which seems to break with some of the underlying assumptions about the lone genius craftsman. Much discourse about craft has been focused on the hands of the artisan, or the “tacit” knowledge used by the maker, but as crafters collaborate in a larger extent some other perspectives could be of use, especially since the surrounding environment seems to take a more active involvement in the production than the mere maker. Increasing Internet prevalence has made this even more obvious, as do-it-yourself instruction and the sharing of skills are abundant in craft forums online, blurring the borders between influences, makers, and situated modes of production. This article examines some concepts and metaphors by which some of the potentials of craft collaborations could be understood. Combining theories of cognition from super-organisms like ant colonies and their “bodyhood” with the “capabilities approach” of Amartya Sen and the concept of educational sloyd, the text builds an associative framework for a perspective on how collaborations actualize new craft capabilities. In conclusion, the article proposes a wider understanding of do-it-yourself activities as a shared endeavor toward expanded collaborative capabilities; do-it-together rather than yourself.
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协作工艺能力:共享技能的本体
随着互联网的兴起,技术、模式和想法在从事手工艺的人们之间被更广泛地分享,这似乎打破了一些关于孤独的天才工匠的潜在假设。关于手工艺的许多论述都集中在工匠的双手上,或者制造者使用的“隐性”知识上,但是随着工匠在更大程度上合作,一些其他的观点可能会有用,特别是因为周围的环境似乎比单纯的制造者更积极地参与到生产中来。互联网的日益普及使这一点更加明显,因为在线手工艺论坛上有大量的diy指导和技能分享,模糊了影响者、制造者和现有生产模式之间的界限。本文考察了一些概念和隐喻,通过这些概念和隐喻可以理解一些工艺合作的潜力。结合蚁群等超级有机体及其“本体”的认知理论、Amartya Sen的“能力方法”和教育理论,本文构建了一个联想框架,以了解合作如何实现新的工艺能力。总之,本文建议将“自己动手”活动更广泛地理解为一种扩展协作能力的共享努力;一起做,而不是自己做。
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来源期刊
CiteScore
0.20
自引率
33.30%
发文量
24
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