Twórczość poetycka Nikołaja Kynczewa w Bułgarii i Polsce

Q3 Arts and Humanities Przeklady Literatur Slowianskich Pub Date : 2022-07-11 DOI:10.31261/pls.2022.12.01.06
Dorota Gołek-Sepetliewa
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Abstract

This article presents analyses and interpretations of the work of the Bulgarian poet Nikolay Kanchev (1936—2007), collected in the Polish-language volume Against the Absence (2020), translated by Wojciech Gałązka. It takes into account the critical context of the Polish and Bulgarian reception of Nikolay Kanchev’s poetry. The presence of Nikolay Kanchev’s work in Poland since the 1980s is possible thanks to the long-standing efforts of his translator, Wojciech Gałązka. In his homeland, the poet experienced the censorship’s rejection of his first two volumes Presence (1965) and As a Mustard Seed (1968), many years of silence (1968—1980), and a successful but belated reception since the 1990s. A review of historical-literary studies makes it possible to identify the ideological and aesthetic choices of Kanchev’s poetry — neoclassicism, metarealism, conceptualism, philosophical intellectualism, laconicism, and paradoxicality.
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Nikołaj Kynczev在保加利亚和波兰的诗歌作品
本文对保加利亚诗人尼古拉·坎切夫(Nikolay Kanchev, 1936-2007)的作品进行了分析和解读,这些作品收录在波兰语文集《反对缺席》(2020)中,由Wojciech Gałązka翻译。它考虑了波兰和保加利亚接受尼古拉·坎切夫诗歌的关键背景。尼古拉·坎切夫(Nikolay Kanchev)的作品自20世纪80年代以来一直在波兰出现,这要归功于他的译者Wojciech Gałązka的长期努力。在他的祖国,这位诗人经历了审查制度对他的前两本书《存在》(1965)和《作为一粒芥菜籽》(1968)的拒绝,多年的沉默(1968 - 1980),以及自20世纪90年代以来成功但姗姗来迟的接受。对历史文学研究的回顾使我们有可能确定坎切夫诗歌的意识形态和美学选择——新古典主义、元现实主义、概念主义、哲学理智主义、简洁主义和悖论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Przeklady Literatur Slowianskich
Przeklady Literatur Slowianskich Arts and Humanities-Literature and Literary Theory
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审稿时长
28 weeks
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