{"title":"Film-Induced Tourism Studies on Asia: A Systematic Literature Review","authors":"Chihiro Nakayama","doi":"10.3727/154427220x16064144339156","DOIUrl":null,"url":null,"abstract":"This study aimed to systematically review the academic literature on film-induced tourism in Asia between 2011 and 2020 as a cross-disciplinary study, by identifying the recent trends, delineating the research gaps and the limitations of previous research, and proposing new directions for future research. Despite an increasing number of studies on film-induced tourism, Anglophonic literature, rather than studies on Asia, receive most focus. This article is the first such attempt at systematically reviewing the literature focusing on Asia. Moreover, previous literature on Asia lacks in comprehensively understanding film-induced tourism because it overlooks the cross-disciplinary perspective. This article fills this gap by synthesizing the existing literature from a cross-disciplinary perspective. Utilizing a systematic literature review approach, 67 articles were identified using one of the largest online databases, Web of Science. The results revealed three research trends: film tourism impact, destination image and marketing, and demand and motivation. The following gaps in the literature were also identified: film tourist experiences, the impact on host communities, tourism policy and regulation, the cultural construction of film tourism, and impact research from different stakeholders' perspectives. Moreover, studies on Asia benefit from expanding the existing concept of film-induced tourism by focusing on the contents rather than media. This study contributes by filling the gaps of film tourist experiences and cultural construction of film tourism. Furthermore, cross-fertilization of tourism and fandom studies is proposed. Finally, the practical contribution of the study is highlighted—the same contents can be used repeatedly in various formats for longevity.","PeriodicalId":46032,"journal":{"name":"Tourism Review International","volume":null,"pages":null},"PeriodicalIF":1.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"9","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tourism Review International","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3727/154427220x16064144339156","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
引用次数: 9
Abstract
This study aimed to systematically review the academic literature on film-induced tourism in Asia between 2011 and 2020 as a cross-disciplinary study, by identifying the recent trends, delineating the research gaps and the limitations of previous research, and proposing new directions for future research. Despite an increasing number of studies on film-induced tourism, Anglophonic literature, rather than studies on Asia, receive most focus. This article is the first such attempt at systematically reviewing the literature focusing on Asia. Moreover, previous literature on Asia lacks in comprehensively understanding film-induced tourism because it overlooks the cross-disciplinary perspective. This article fills this gap by synthesizing the existing literature from a cross-disciplinary perspective. Utilizing a systematic literature review approach, 67 articles were identified using one of the largest online databases, Web of Science. The results revealed three research trends: film tourism impact, destination image and marketing, and demand and motivation. The following gaps in the literature were also identified: film tourist experiences, the impact on host communities, tourism policy and regulation, the cultural construction of film tourism, and impact research from different stakeholders' perspectives. Moreover, studies on Asia benefit from expanding the existing concept of film-induced tourism by focusing on the contents rather than media. This study contributes by filling the gaps of film tourist experiences and cultural construction of film tourism. Furthermore, cross-fertilization of tourism and fandom studies is proposed. Finally, the practical contribution of the study is highlighted—the same contents can be used repeatedly in various formats for longevity.
本研究旨在对2011 - 2020年亚洲电影旅游相关的学术文献进行跨学科的系统梳理,梳理其发展趋势、研究空白和局限性,并提出未来研究的新方向。尽管对电影旅游的研究越来越多,但最受关注的是英语文学,而不是对亚洲的研究。这篇文章是第一次尝试系统地回顾以亚洲为中心的文献。此外,以往关于亚洲的文献由于忽视了跨学科的视角,缺乏对电影旅游的全面理解。本文从跨学科的角度综合现有文献,填补了这一空白。利用系统的文献综述方法,通过最大的在线数据库之一Web of Science确定了67篇文章。研究结果揭示了电影旅游影响、目的地形象与营销、需求与动机三个研究趋势。本文还发现了以下文献的空白:电影旅游体验、对东道社区的影响、旅游政策法规、电影旅游的文化建设以及不同利益相关者视角的影响研究。此外,对亚洲的研究受益于扩大现有的电影旅游概念,将重点放在内容而不是媒介上。本文的研究有助于填补电影旅游体验和电影旅游文化建设的空白。在此基础上,提出了旅游研究与fandom研究的交叉融合。最后,强调了研究的实际贡献——相同的内容可以以不同的格式重复使用,从而延长寿命。