La representación femenina en el retrato de la región de Murcia

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Eras Pub Date : 2012-06-30 DOI:10.37334/ERAS.V3I2.51
Juan Ramón Moreno Vera, María Isabel Vera-Muñoz
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Abstract

espanolLa investigacion que hemos desarrollado analiza una serie de retratos pertenecientes a la coleccion de arte de la Region de Murcia y que son buen ejemplo de las diferentes representaciones femeninas que se ha sucedido en el arte occidental. Ademas de ayudar a poner en valor estos retratos, y toda la coleccion, tambien se pretende profundizar en las caracteristicas del retrato femenino, y como este ha ido abandonando una representacion determinada por la subjetividad masculina, para ir mostrando a una mujer autonoma e independiente que se convierte en sujeto artistico por si misma EnglishThe research we have developed analyzes a set of portraits that belongs to the official art collection of Region de Murcia, and that are a good example of the different female representations that appeared in the western art history. In addition to help revaluating these portraits, and the whole collection, it is pretended to get deeper into the female portraiture features, and how this typology has left a male vision to get a new representation where we see an autonomous and independent woman that is her own artistic subject.
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穆尔西亚地区肖像中的女性代表
我们开展的西班牙研究分析了穆尔西亚地区艺术收藏的一系列肖像,这些肖像是西方艺术中发生的不同女性形象的一个很好的例子。除了帮助你把这些价值,整个集合肖像,也要在深入caracteristicas女性的肖像,和像这个一直在放弃某种第八条作为男性的主体性,去展现一个女人autonoma独立成为艺术本身主体EnglishThe research we have发达analyzes a set of肖像,属于官方门艺术collection of Region西亚,and that are a good例如of the不同女性在斯特拉斯堡appeared in the western art history。In addition to help revaluating这些肖像,和草稿collection, it is pretended to get deeper into the女性portraiture特写,and how this typology has left a男vision to get a new representation独立woman that is where we see an成行and her own艺术subject。
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