‘If everything is moving where is here?’: Lisa Robertson's Occasional Work on cities, space and impermanence

Pub Date : 2013-09-03 DOI:10.3828/BJCS.2013.10
Ryan Fitzpatrick, Susan Rudy
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引用次数: 4

Abstract

In her 2003 collection of essays Occasional Work and Seven Walks from the Office for Soft Architecture, poet Lisa Robertson describes a shifting and dissolving Vancouver. Through a consideration of the theoretical work of geographer Doreen Massey and architect Rem Koolhaas, we explore the ways that, for Robertson, space is not reducible to singular, official narratives, but is the result of the complex and contradictory accretion of multiple historical trajectories. Focusing on Vancouver's New Brighton Park, both in Robertson's text and as a physical space, we ask how clashing forces, from the forceful organisational movements of global capital to the differentiating, yet minor, descriptions of the wandering poet, produce a space, a specific site, together through their cooperations and antagonisms?
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“如果一切都在移动,这里在哪里?”:丽莎·罗伯逊关于城市、空间和无常的作品
诗人丽莎·罗伯逊在她2003年的散文集《偶尔的工作》和《从软建筑办公室走七步》中描述了一个不断变化和消融的温哥华。通过对地理学家多琳·梅西(Doreen Massey)和建筑师雷姆·库哈斯(Rem Koolhaas)的理论工作的思考,我们探索了罗伯逊认为空间不能简化为单一的官方叙事,而是多种历史轨迹复杂而矛盾的结果。关注温哥华的新布莱顿公园,无论是在罗伯逊的文本中,还是作为一个物理空间,我们都要问,从全球资本的强有力的组织运动到对流浪诗人的差异化但次要的描述,冲突的力量如何通过它们的合作和对抗,共同产生一个空间,一个特定的地点?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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