Loss and longing in Alice Munro's 'Queenie'

Pub Date : 2014-03-20 DOI:10.3828/BJCS.2014.2
Isla J. Duncan
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引用次数: 1

Abstract

This article is a close reading of Alice Munro's 'Queenie', principally using the tools of narratology and literary linguistics. I argue that the story illustrates many hallmarks of Munro's art, such as temporal disruption, nuances in narrative dynamism, meticulous attention to character idiolect, indeterminacy and ambiguity. However, it is in addition distinguished by passages of writing that are exceptional in their emotional intensity, and in the extent to which they consequently engage the reader. These passages (those that linguist Michael Toolan would describe as 'emotionally immersive') are identifiable and made salient by various grammatical and stylistic means. I argue that these are orchestrated in order to heighten the sense of loss, longing and abandonment in the narrative, making it an especially affecting reading experience.
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爱丽丝·门罗《皇后》中的失落与渴望
本文主要运用叙事学和文学语言学的工具,对爱丽丝·门罗的小说《皇后》进行了细读。我认为,这个故事体现了门罗艺术的许多特点,比如时间的中断、叙事动态的细微差别、对人物用语的细致关注、不确定性和模糊性。然而,除此之外,它还以其情感强度和因此吸引读者的程度的特殊写作段落而闻名。这些段落(语言学家迈克尔·图兰(Michael Toolan)将其描述为“情感沉浸”)是可识别的,并通过各种语法和风格手段突出。我认为这些都是精心安排的,目的是在叙述中强化失落感、渴望和被遗弃感,使其成为一种特别感人的阅读体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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