Ovid’s Metamorphoses in Russian book illustrations of the 1790s: Searching European analogues

Q4 Social Sciences Academia (Greece) Pub Date : 2021-01-01 DOI:10.37953/2079-0341-2021-1-1-32-40
Elena V. Borshch
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Abstract

The paper shows the influence of the European engravings on the Russian book illustrations. The object of the study are European and Russian 18th-century illustrations for Ovid’s Metamorphoses. As a result of the comparison, prototypes of illustrations for the Russian edition of Ovid of 1794–1795 were identified as engravings from a similar Dutch edition of 1732. The results of a comparison of a number of sketches of the Russian manuscript “Ovid Metamorphoses with Illustrations” of 1796 and the engravings of the French edition of “Metamorphoses” of 1767–1771 are given. The methods of copying and transformation of European prints are analyzed. The author proves creative nature of the interpretation of European samples by Russian engravers and draftsmen of the academic school.
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18世纪90年代俄书插图中的奥维德的《变形记》:寻找欧洲的类似物
本文论述了欧洲版画对俄罗斯图书插图的影响。研究对象是18世纪欧洲和俄罗斯为奥维德的《变形记》绘制的插图。经过比较,1794-1795年俄文版奥维德的插图原型被鉴定为1732年类似的荷兰版的雕刻。本文给出了1796年俄文手稿《奥维德变形记及插图》的若干草图与1767-1771年法文版《变形记》的雕刻的比较结果。分析了欧洲版画的复制与转化方法。作者论证了俄罗斯学院派雕刻家和绘图员对欧洲样本解读的创造性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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