{"title":"18th century in Russian gold and silver art of the second half of the 19th – early 20th century: from rejection to recognition","authors":"Mikhail O. Yudin","doi":"10.37953/2079-0341-2021-1-1-83-91","DOIUrl":null,"url":null,"abstract":"This article shows the influence of the 18th-century art on the creativity of Russian jewellery companies in the second half of 19th – early 20th century. During the period of national style domination, the revision to 18th century is especially interesting. The art of this era in the perception of descendants became from complete rejection in the eyes of posterity to a total recognition of its originality, artistic individuality, and as a result national-identity. The latter entailed the use of cultural assets of 18th century as prototypes of gold and silver products created in late 19th – early 20th century because of nationality. The author analyses both works of Russian jewellery companies and documentary evidence demonstrating the attitude of contemporaries to an art culture of the 18th century.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academia (Greece)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37953/2079-0341-2021-1-1-83-91","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
This article shows the influence of the 18th-century art on the creativity of Russian jewellery companies in the second half of 19th – early 20th century. During the period of national style domination, the revision to 18th century is especially interesting. The art of this era in the perception of descendants became from complete rejection in the eyes of posterity to a total recognition of its originality, artistic individuality, and as a result national-identity. The latter entailed the use of cultural assets of 18th century as prototypes of gold and silver products created in late 19th – early 20th century because of nationality. The author analyses both works of Russian jewellery companies and documentary evidence demonstrating the attitude of contemporaries to an art culture of the 18th century.
期刊介绍:
ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.