{"title":"Contemporary Russian Religious Art in the German Museum: Alexander Markin's project I. N. R. I.","authors":"A. Florkovskaya, Alexander S. Markin","doi":"10.37953/2079-0341-2021-2-1-163-169","DOIUrl":null,"url":null,"abstract":"The article is devoted to the art project “Jesus of Nazareth King of the Jews” / I. N. R. I. as an example of modern religious art. The project was exhibited at the Pilgrimage Museum in Germany in 2020 and presents an environment, where sculpture, painting, graphics and stained glass windows dedicated to the events of the Gospel history with an emphasis on the Passion of Christ are combined in the space of several halls. The author turned to the traditions of modernist art, including the church art, combining them with the traditions of icon painting, Russian avant-garde and design approach. His task was to speak on the gospel themes in the modern language of a clear visual sign. The article examines the origin of the idea and the course of work on the project, its artistic parts and the specifics of the interpretations.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academia (Greece)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37953/2079-0341-2021-2-1-163-169","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
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Abstract
The article is devoted to the art project “Jesus of Nazareth King of the Jews” / I. N. R. I. as an example of modern religious art. The project was exhibited at the Pilgrimage Museum in Germany in 2020 and presents an environment, where sculpture, painting, graphics and stained glass windows dedicated to the events of the Gospel history with an emphasis on the Passion of Christ are combined in the space of several halls. The author turned to the traditions of modernist art, including the church art, combining them with the traditions of icon painting, Russian avant-garde and design approach. His task was to speak on the gospel themes in the modern language of a clear visual sign. The article examines the origin of the idea and the course of work on the project, its artistic parts and the specifics of the interpretations.
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ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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