{"title":"Literatuur en de normatieve aspecten van wetenschappelijke kennis","authors":"W. Schrover","doi":"10.5117/IN2019.2.002.SCHR","DOIUrl":null,"url":null,"abstract":"\n This article is about the relation of three literary texts to psychological stage theories. The texts under discussion are a novel by Dutch novelist Maarten ’t Hart (De aansprekers, 1979) and stories by Flemish writer Kristien Hemmerechts (‘Fasen’, 1996) and German author Daniel Kehlmann (‘Rosalie geht sterben’, 2009). This article especially focusses on the stage theory of dying, as formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross. For each of the three texts it is argued whether there is an intertextual relation to Kübler-Ross’s work or an interdiscursive relation to stage theories in general. It is thus demonstrated how these literary texts contribute to the dissemination of knowledge about stage theories, attesting to their popularity while at the same time critically evaluating them. By means of this demonstration, it is explained how literature is able to reflect upon the interaction between knowledge and normative views.","PeriodicalId":30182,"journal":{"name":"Internationale Neerlandistiek","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Internationale Neerlandistiek","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/IN2019.2.002.SCHR","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This article is about the relation of three literary texts to psychological stage theories. The texts under discussion are a novel by Dutch novelist Maarten ’t Hart (De aansprekers, 1979) and stories by Flemish writer Kristien Hemmerechts (‘Fasen’, 1996) and German author Daniel Kehlmann (‘Rosalie geht sterben’, 2009). This article especially focusses on the stage theory of dying, as formulated by the Swiss-American psychiatrist Elisabeth Kübler-Ross. For each of the three texts it is argued whether there is an intertextual relation to Kübler-Ross’s work or an interdiscursive relation to stage theories in general. It is thus demonstrated how these literary texts contribute to the dissemination of knowledge about stage theories, attesting to their popularity while at the same time critically evaluating them. By means of this demonstration, it is explained how literature is able to reflect upon the interaction between knowledge and normative views.
本文探讨了三种文学文本与心理阶段理论的关系。讨论的文本是荷兰小说家马丁·哈特(Maarten ' t Hart)的一部小说(De aansprekers, 1979年),佛兰德作家克里斯蒂安·赫默雷切茨(Kristien Hemmerechts, 1996年)和德国作家丹尼尔·凯尔曼(Daniel Kehlmann, 2009年)的故事(Rosalie geht sterben)。这篇文章特别关注由瑞士裔美国精神病学家Elisabeth k bler- ross提出的死亡阶段理论。对于这三篇文章中的每一篇,都争论了是否与伯勒-罗斯的作品存在互文关系,或者与一般的阶段理论存在话语间关系。因此,它展示了这些文学文本如何有助于阶段理论知识的传播,证明了它们的受欢迎程度,同时也对它们进行了批判性的评价。通过这种论证,解释了文学如何能够反映知识与规范观点之间的相互作用。