Documentación y análisis de un cepo de ancla romano y sus elementos iconográficos y epigráficos sellados

IF 1.6 0 ARCHAEOLOGY Virtual Archaeology Review Pub Date : 2022-01-21 DOI:10.4995/var.2022.15349
Elisa Fernandez-Tudela, Luis C. Zambrano, L. Lagóstena, M. Bethencourt
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The removal of the different layers of alteration that covered the surface during conservation and restoration treatments revealed an unpublished iconographic and epigraphic programme, as well as possible marks of use and manufacture. The poor state of conservation of the original surface made it impossible to visualise the details as a whole, so we applied photogrammetric methods, and subsequently processed models using various GIS analysis and point cloud processing softwares.Two photogrammetric models (in Agisoft PhotoScan) were made to document the trap in general: one prior to the conservation and restoration process; and a second three-dimensional (3D) model once the surface had been cleaned. The purpose of the second model was to visualise the reliefs programme in general, as well as the different surface details. The first complete 3D model of the object was used to perform a virtual reconstruction of the anchor including the elements that did not preserve, using a 3D modelling program (Blender).Nine areas of the stock surface were selected for the analyses of the various iconographic and epigraphic features, which were documented and processed in Agisoft PhotoScan. The Digital Elevation Model (DEM) and point cloud models were then processed with different analyses tools in Geographic Information System (GIS) (such as QGIS) and point cloud processing software (CloudCompare). Our results document a piece of highly interesting information from its surface consisting of reliefs of four dolphins; at least four rectangular stamps: two of them with possible inscriptions, and an anthropomorphic figure. Thanks to the comparative data, we conclude that the four dolphins were made with the same stamp during the stock manufacturing process. Further, we were able to reconstruct the dolphin stamp, partially preserved in each of the reliefs, by unifying the 3D models, thus revealing the original set. This system of stamping by means of reusable dies is well known in other elements such as amphorae but has not been studied in the specific case of lead traps.In the case of the epigraphic elements, the 3D documentation methodology revealed numerous micro-surface details, not visible under conventional documentation techniques, which could help specialists to interpret these inscriptions. Although they have not been analysed in this research, its documentation has promoted the appreciation of surface details that could refer to the manufacturing processes (moulds and tools) or the traces of use, providing historical information on this object. At the same time, the virtual reconstruction of the anchor has aided the formation of hypotheses on the dimensions and original appearance of the anchor. 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引用次数: 2

Abstract

This paper aims to present the documentation and analysis methodology carried out on a lead trap from the ancient period, which belongs to the collection of traps in the Museum of Cádiz (Andalusia, Spain). The anchor stock had some interesting characteristics for this research. On the one hand, from the point of view of conservation and restoration, due to the alterations it presented. On the other hand, from a historical and archaeological point of view, it showed signs of reliefs on its surface hidden under the alteration products. The removal of the different layers of alteration that covered the surface during conservation and restoration treatments revealed an unpublished iconographic and epigraphic programme, as well as possible marks of use and manufacture. The poor state of conservation of the original surface made it impossible to visualise the details as a whole, so we applied photogrammetric methods, and subsequently processed models using various GIS analysis and point cloud processing softwares.Two photogrammetric models (in Agisoft PhotoScan) were made to document the trap in general: one prior to the conservation and restoration process; and a second three-dimensional (3D) model once the surface had been cleaned. The purpose of the second model was to visualise the reliefs programme in general, as well as the different surface details. The first complete 3D model of the object was used to perform a virtual reconstruction of the anchor including the elements that did not preserve, using a 3D modelling program (Blender).Nine areas of the stock surface were selected for the analyses of the various iconographic and epigraphic features, which were documented and processed in Agisoft PhotoScan. The Digital Elevation Model (DEM) and point cloud models were then processed with different analyses tools in Geographic Information System (GIS) (such as QGIS) and point cloud processing software (CloudCompare). Our results document a piece of highly interesting information from its surface consisting of reliefs of four dolphins; at least four rectangular stamps: two of them with possible inscriptions, and an anthropomorphic figure. Thanks to the comparative data, we conclude that the four dolphins were made with the same stamp during the stock manufacturing process. Further, we were able to reconstruct the dolphin stamp, partially preserved in each of the reliefs, by unifying the 3D models, thus revealing the original set. This system of stamping by means of reusable dies is well known in other elements such as amphorae but has not been studied in the specific case of lead traps.In the case of the epigraphic elements, the 3D documentation methodology revealed numerous micro-surface details, not visible under conventional documentation techniques, which could help specialists to interpret these inscriptions. Although they have not been analysed in this research, its documentation has promoted the appreciation of surface details that could refer to the manufacturing processes (moulds and tools) or the traces of use, providing historical information on this object. At the same time, the virtual reconstruction of the anchor has aided the formation of hypotheses on the dimensions and original appearance of the anchor. The different tools used, such as raster analysis using shadow mapping and point cloud alignment, proved to be very effective. They have fulfilled the established objectives and have helped to establish a possible analysis methodology for future lead traps with decorative elements. These types of artefacts recovered from underwater sites are very common in museum collections. In many cases, their state of conservation and the difficulty in handling them due to their size and weight make it difficult to document surface details. In this case, the multidisciplinary work of conservation and 3D documentation allows for high-quality documentation that is easy to access and exchange between researchers. The combined use of photogrammetric techniques with virtual RTI provides a non-invasive method for the object, low cost and easy processing compared to other conventional methods.
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罗马锚桩及其密封的肖像和铭文元素的记录和分析
本文旨在介绍对古代时期的铅陷阱进行的文献记录和分析方法,该陷阱属于Cádiz博物馆(西班牙安达卢西亚)的陷阱收藏。锚桩具有一些值得研究的特点。一方面,从保护和修复的角度来看,由于它所呈现的变化。另一方面,从历史和考古的角度来看,它的表面显示出隐藏在改造产物下的浮雕迹象。在保护和修复过程中,覆盖在表面的不同层次的变化被移除,揭示了一个未发表的图像和铭文程序,以及可能的使用和制造标记。由于原始地表的保护状况不佳,因此无法将细节整体可视化,因此我们采用了摄影测量方法,并随后使用各种GIS分析和点云处理软件处理模型。制作了两个摄影测量模型(在Agisoft PhotoScan中)来记录陷阱的一般情况:一个在保护和恢复过程之前;一旦表面被清洁,第二个三维(3D)模型。第二个模型的目的是将总体的救济方案以及不同的表面细节可视化。使用3D建模程序(Blender),使用对象的第一个完整3D模型对锚进行虚拟重建,包括未保留的元素。选择9个区域的库存表面的各种图像和铭文特征的分析,这是记录和Agisoft PhotoScan处理。然后使用地理信息系统(GIS)(如QGIS)和点云处理软件(CloudCompare)中的不同分析工具对数字高程模型(DEM)和点云模型进行处理。我们的研究结果从它的表面记录了一条非常有趣的信息,包括四只海豚的浮雕;至少四枚长方形邮票:其中两枚可能有题字,还有一个拟人的人物。通过对比数据,我们得出结论,这四只海豚是在库存制造过程中用同一枚印章制作的。此外,通过统一3D模型,我们能够重建每个浮雕中部分保存的海豚印章,从而揭示了原始的集合。这种冲压系统的手段可重复使用的模具是众所周知的其他元素,如双耳罐,但尚未研究在铅陷阱的具体情况。在铭文元素的案例中,3D记录方法揭示了许多微观表面细节,这些细节在传统的记录技术下是不可见的,这可以帮助专家解释这些铭文。虽然在本研究中没有对它们进行分析,但它的文件促进了对可能涉及制造过程(模具和工具)或使用痕迹的表面细节的欣赏,提供了关于该对象的历史信息。同时,对锚的虚拟重构有助于对锚的尺寸和原貌进行假设。所使用的不同工具,如使用阴影映射的光栅分析和点云对齐,被证明是非常有效的。它们已经实现了既定的目标,并帮助建立了一种可能的分析方法,用于未来带有装饰元素的铅陷阱。这类从水下打捞上来的文物在博物馆藏品中很常见。在许多情况下,由于它们的大小和重量,它们的保存状态和处理困难使得很难记录表面细节。在这种情况下,保护和3D文档的多学科工作允许高质量的文档,易于访问和研究人员之间的交换。与其他传统方法相比,摄影测量技术与虚拟RTI的结合使用为物体提供了一种非侵入性的方法,成本低,易于处理。
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来源期刊
CiteScore
5.20
自引率
21.70%
发文量
19
审稿时长
20 weeks
期刊介绍: Virtual Archaeology Review (VAR) aims the publication of original papers, interdisciplinary reviews and essays on the new discipline of virtual archaeology, which is continuously evolving and currently on its way to achieve scientific consolidation. In fact, Virtual Archaeology deals with the digital representation of historical heritage objects, buildings and landscapes through 3D acquisition, digital recording and interactive and immersive tools for analysis, interpretation, dissemination and communication purposes by means of multidimensional geometric properties and visual computational modelling. VAR will publish full-length original papers which reflect both current research and practice throughout the world, in order to contribute to the advancement of the new field of virtual archaeology, ranging from new ways of digital recording and documentation, advanced reconstruction and 3D modelling up to cyber-archaeology, virtual exhibitions and serious gaming. Thus acceptable material may emerge from interesting applications as well as from original developments or research. OBJECTIVES: - OFFER researchers working in the field of virtual archaeology and cultural heritage an appropriate editorial frame to publish state-of-the-art research works, as well as theoretical and methodological contributions. - GATHER virtual archaeology progresses achieved as a new international scientific discipline. - ENCOURAGE the publication of the latest, state-of-the-art, significant research and meaningful applications in the field of virtual archaeology. - ENHANCE international connections in the field of virtual archaeology and cultural heritage.
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