Intellectual Property is the 21st Century's most compelling legal domain

IF 0.3 Q4 INTERNATIONAL RELATIONS Utrecht Journal of International and European Law Pub Date : 2016-04-13 DOI:10.5334/UJIEL.300
M. D. C. Buning
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Abstract

This special issue on ‘Intellectual Property’ in the Utrecht Journal of International and European law is well positioned with the information age coming to its peak. It is the era in which digital copying and distribution through the internet has a profound transformative effect on the markets for copyright in music, games and video, where services such as Spotify and iTunes are greatly suppressing DVD sales, and where illegal downloading continues to impact industry daily. It is the era where the Court of Justice of the European Union (CJEU) is being presented with, among others, various questions about which acts on the internet (e.g. hyperlinking) are to be considered distribution of copyrighted materials under the scope of the Directive Copyright in the Information Society.1 It so too is having to answer numerous preliminary references of national courts on the harmonisation of trademarks, as well as on the scope of the Audiovisual Media Service Directive 2010/13/EU on Internet platforms.2 At the same time, the European Commission (DG Connect) is currently in the middle of revising both the Directive on Copyright in the Information Society,3 and the Audiovisual Media Service Directive.4 These efforts have proven to be quite a challenge considering the European informational sector operates within the contours of an extremely rapidly changing landscape. On the internet, almost all information is available at arm’s length, and is shared and is reused in a split second, largely ignoring possible copyright claims. Passive television viewing is increasingly being substituted by the individual use of new services. Millions of European citizens watch video on demand through websites like YouTube and Netflix, or catch up with their favourite television series on a computer, tablet device or smartphone. In the meantime, such users can put either their own user-generated content online, or that of others, making copyright protection redundant. Traditional boundaries between consumers, broadcast media and the internet are diminishing, and the lines between the familiar 20th century consumption patterns are blurring. Moreover, with smartphones, tablets, and converged production, as well as an increasing consumption of information content, there will be a further shift from ‘lean-back’ consumption to active participation. This progressive merger of traditional services and the internet is known as ‘convergence’.5 This trend towards digitisation and convergence has long been forecast, but is now indeed becoming a reality.6 Technology already allows users to create, distribute and access all types of content irrespective of the time, place or device. The shift in the use of media by consumers, including the growing use of on-demand services on the internet is significant. Children are increasingly adding on-demand services to their media consumption through the internet. Although technological developments may offer many
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知识产权是21世纪最引人注目的法律领域
这期《乌得勒支国际与欧洲法杂志》关于“知识产权”的特刊正好定位于信息时代的巅峰。在这个时代,通过互联网进行数字复制和发行,对音乐、游戏和视频版权市场产生了深远的变革性影响,Spotify和iTunes等服务极大地抑制了DVD的销售,非法下载继续每天对行业产生影响。在这个时代,欧盟法院(CJEU)正在面临各种各样的问题,其中包括互联网上的哪些行为(例如超链接)应被视为在信息社会版权指令范围内传播受版权保护的材料。它也必须回答许多国家法院关于商标协调的初步参考资料。以及关于互联网平台的视听媒体服务指令2010/13/EU的范围与此同时,欧洲委员会(DG Connect)目前正在修订《信息社会版权指令》3和《视听媒体服务指令》4。考虑到欧洲信息部门在一个极其迅速变化的环境中运作,这些努力已被证明是一个相当大的挑战。在互联网上,几乎所有的信息都可以在一定距离内获得,并在一瞬间被共享和重用,在很大程度上忽略了可能的版权索赔。被动的电视观看越来越多地被个人使用的新服务所取代。数以百万计的欧洲公民通过YouTube和Netflix等网站观看视频点播,或者在电脑、平板电脑或智能手机上观看他们最喜欢的电视剧。与此同时,这些用户可以将自己或他人的内容放到网上,这使得版权保护变得多余。消费者、广播媒体和互联网之间的传统界限正在消失,熟悉的20世纪消费模式之间的界限正在模糊。此外,随着智能手机、平板电脑和融合生产,以及信息内容消费的增加,将进一步从“靠后”消费转向积极参与。传统服务和互联网的这种渐进合并被称为“融合”这种数字化和融合的趋势早已被预测到,但现在确实正在成为现实技术已经允许用户创建、分发和访问所有类型的内容,而不受时间、地点或设备的限制。消费者对媒体使用方式的转变,包括越来越多地使用互联网上的点播服务,意义重大。孩子们越来越多地通过互联网在他们的媒体消费中添加点播服务。尽管技术发展可能会提供很多
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来源期刊
CiteScore
2.00
自引率
0.00%
发文量
2
审稿时长
11 weeks
期刊最新文献
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