Harry’s Code. An interview with Harry Collins

Robert Lorenzo Jomisko
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引用次数: 1

Abstract

While attending a conference in Budapest in May, I caught up with Harry Collins in Memento Park; an open-air museum filled several dozen statues, busts and plaques from the Communist era. According to the Hungarian architect Akos Eleőd, who designed it, “the park is about dictatorship. And at the same time, because it can be talked about, described, built, this park is about democracy. After all, only democracy is able to give the opportunity to let us think freely about dictatorship.” In retrospect, it seemed a fitting location for the interview. As many of our readers are no doubt already aware, Collins has for at least ten years been engaged in discussions about social aspects of science and democracy. In efforts to impose what some have described as restrictions on public engagement with expertise, there are those who have labeled his proposals ‘illiberal’ and ‘undemocratic’. Others have viewed them as an attempt to ensure expertise is not lost when engaging the public in decision-making. Ever since his early works on knowledge diffusion in the 1970s, Collins has kept reinventing himself. And with an advanced grant from the European Research Council, he shows no signs of slowing down anytime soon.
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哈利的代码。这是哈里·柯林斯的采访
今年5月在布达佩斯参加一个会议时,我在纪念品公园(Memento Park)遇到了哈里·柯林斯(Harry Collins);一个露天博物馆,里面有几十尊共产主义时代的雕像、半身像和牌匾。根据设计这个公园的匈牙利建筑师Akos Eleőd的说法,“这个公园是关于独裁的。同时,因为它可以被谈论,描述,建造,这个公园是关于民主的。毕竟,只有民主才能让我们有机会自由地思考独裁。”回想起来,这似乎是一个合适的面试地点。正如我们的许多读者无疑已经知道的那样,柯林斯至少在过去的十年里一直致力于科学和民主的社会方面的讨论。有些人把他的建议称为“不自由”和“不民主”,试图限制公众与专家的接触。另一些人则将其视为一种尝试,以确保在让公众参与决策时不会失去专业知识。自20世纪70年代他早期关于知识扩散的作品以来,柯林斯一直在不断地重塑自己。在欧洲研究委员会的资助下,他没有任何放慢脚步的迹象。
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