Storytelling for Lawyers

J. Patten
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引用次数: 11

Abstract

INTRODUCTION There are great souls out there who have extraordinary powers of persuasion. If we have been fortunate, we have encountered several of them over the course of our lives. In ways unique to each, they combine authority and wisdom. They appear in different roles--parents, relatives, teachers, pastors, and even political leaders. Their wisdom has shaped us fundamentally, in ways that are discernible long after they are no longer part of our lives. I did not always understand what my favorite law school professor was saying, but his words had power that pulled me along as I was trying to understand. In the words of Jack Nicholson, he made "me want to be a better man." (1) I do not know how to teach this. It is a gift and we are very fortunate when we are exposed to it, and have the maturity to recognize it. For the great majority of us who do not have this gift, persuasion is a harder task. We encounter skepticism and resistance. If we are to be successful in persuading someone, we must first recognize that it is his or her decision, not ours. In contrast with the great teacher, the process cannot be from the top down. It must work from the ground up. if lawyers have a general problem in the art of persuasion, it is that they preach too much, but lack moral authority. They do not recognize that the movement toward a decision comes primarily from within the decision-maker. This does not mean we cannot be great persuaders; we simply have to do it by other means. One of the principal techniques of persuasion comes through understanding the art of storytelling. Storytelling is primal. (2) It can show the way to a common ground that ties in to the basic values of the listener. We all grew up with stories. There is a deep psychological need here. I sense, but cannot fully describe, the importance of stories in my childhood. I am able to see more clearly, however, the importance of stories in the development of my own children. My oldest, now a pathologist in Minneapolis, would absorb words and storylines as if they were the water of life itself. I remember her usual response before the age of two to a story reading was: "More ... more." Frog and Toad, (3) Harold and the Purple Crayon, Where the Wild Things Are, (5) The Velveteen Rabbit, (6) along with the Winnie-the-Pooh series, (7) were the main staples of bedtime reading for all of my daughters. I read these stories hundreds of times. The repetition might be viewed as indoctrination, but it is much more complex than that because, even at an early stage, my kids were not a blank slate. There was already some psychological need there that the stories were addressing. (8) It must be deeply embedded in the genetic code. The stories become part of the moral infrastructure that is being worked out as part of the child's development. As noted by Bruno Bettelheim: "The child intuitively comprehends that although these stories are unreal, they are not untrue." (9) The almost insatiable desire for stories is also reflected in the active fantasy life that kids have with their stuffed animals and dolls, as well as action toys. We do not outgrow this. The search for meaning is mediated through stories, (10) Stories help to make sense of life. Some stories confirm existing beliefs and prejudices, while others stretch the worldview. (11) They are part of our search for meaning. Movies, for example, are about entertainment, but the better ones are also about meaning. Meaning is not necessarily limited to what is intended by the storyteller. The story may take on additional meaning from its audience. In discussing the popularity of The Shawshank Redemption, (12) director Frank Darabont made the following observation: The film seems to be something of a Rorschach for people. They project their own lives, their own difficulties, their own obstacles, and their own triumphs into it, whether that's a disastrous marriage or a serious, debilitating illness that somebody is trying to overcome. …
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律师讲故事
世界上有很多伟大的灵魂,他们具有非凡的说服力。如果幸运的话,我们在一生中会遇到一些这样的事情。他们以各自独特的方式将权威和智慧结合在一起。他们以不同的角色出现——父母、亲戚、老师、牧师,甚至政治领袖。他们的智慧从根本上塑造了我们,即使他们不再是我们生活的一部分,我们也能从中看出他们的智慧。我并不总是明白我最喜欢的法学院教授在说什么,但他的话有一种力量,在我试图理解的时候,它引导着我前进。用杰克·尼科尔森的话来说,他让“我想成为一个更好的人”。我不知道如何教这个。它是一种天赋,我们很幸运能够接触到它,并成熟地认识到它。对于我们大多数没有这种天赋的人来说,说服是一项艰巨的任务。我们会遇到怀疑和阻力。如果我们要成功地说服某人,我们必须首先认识到这是他或她的决定,而不是我们的。与伟大的老师相比,这个过程不可能是自上而下的。它必须从头开始。如果说律师在说服艺术上存在一个普遍的问题,那就是他们说教太多,却缺乏道德权威。他们没有认识到,走向决策的运动主要来自决策者的内部。这并不意味着我们不能成为伟大的说服者;我们只能用别的方法了。说服的主要技巧之一是通过理解讲故事的艺术。讲故事是最基本的。(2)它可以显示出与听众的基本价值观有关的共同点。我们都是伴随着故事长大的。这里有一种深层的心理需求。我感觉到了故事在我童年时代的重要性,但无法完全描述出来。然而,我能够更清楚地看到,故事在我自己孩子的发展中的重要性。我的大儿子现在是明尼阿波利斯的一名病理学家,他能吸收文字和故事情节,就好像它们是生命之水一样。我记得她两岁前读故事时通常的反应是:“更多……更多。”《青蛙和蟾蜍》、《哈罗德和紫色蜡笔》、《野兽在哪里》、《绒毛兔子》以及《小熊维尼》系列,是我所有女儿睡前阅读的主要内容。这些故事我读了几百遍。这种重复可能被视为灌输,但实际情况要复杂得多,因为即使在早期阶段,我的孩子也不是一张白纸。这些故事已经解决了一些心理需求。它必须深深嵌入遗传密码中。这些故事成为孩子成长过程中道德基础建设的一部分。正如布鲁诺·贝特尔海姆所指出的那样:“孩子本能地理解,尽管这些故事是不真实的,但它们并非不真实。”(9)孩子们对故事几乎永不满足的渴望还体现在他们与毛绒动物和娃娃以及动作玩具的活跃幻想生活中。我们没有长大。故事是寻找人生意义的媒介。(10)故事有助于理解生活。一些故事证实了现有的信仰和偏见,而另一些则扩展了世界观。它们是我们寻找意义的一部分。例如,电影是关于娱乐的,但更好的电影也是关于意义的。意义并不一定局限于故事讲述者的意图。这个故事可能会从观众那里获得额外的意义。在讨论《肖申克的救赎》受欢迎的原因时,导演弗兰克·达拉邦特(Frank Darabont)发表了以下评论:这部电影对人们来说似乎是一种罗夏墨迹。他们把自己的生活,自己的困难,自己的障碍,和自己的胜利都投射到其中,无论是一场灾难性的婚姻,还是一场严重的,使人衰弱的疾病,都是某人试图克服的。…
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