Diffondere la curiosità per l’arte

Elena Petrušanskaja
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Abstract

The paper, which was the opening speech to the conference Musicians and Musicologists as Teachers: How to Construct Musical Comprehension for Students , raises questions of central importance about the purpose of music teaching and the more general issues of cultural education: what is most important today for teaching? What do we mean by ‘transmission of knowledge’? Are we referring to the experience of music making? A specific position in relation to the values of culture, science and moral? Or a rational system of scientific knowledge based on past experience? In an age in which all sorts of information and materials can be easily retrieved online, the main goal of educational action becomes the teaching of appropriate methods for working on data, and the awakening of a sense of curiosity about art. The paper provides an updated map of music education institutions in Russia, dwelling on the specific features of the current education system in that country.
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传播对艺术的好奇心
这篇论文是“作为教师的音乐家和音乐学家:如何构建学生的音乐理解能力”会议的开幕词,它提出了关于音乐教学目的和更普遍的文化教育问题的核心问题:今天对教学最重要的是什么?我们所说的“知识传播”是什么意思?我们指的是音乐制作的体验吗?与文化、科学和道德的价值有关的具体位置?还是基于过去经验的科学知识的合理体系?在一个各种各样的信息和材料都可以很容易地在网上检索的时代,教育行动的主要目标变成了教授处理数据的适当方法,以及唤醒对艺术的好奇心。本文提供了俄罗斯音乐教育机构的最新地图,详述了该国当前教育系统的具体特点。
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50 weeks
期刊最新文献
Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia Università e conoscenze: le relazioni fruttuose Un percorso didattico sul “Rigoletto” di Verdi: «La donna è mobile» e la voce come fantasma Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
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