Reframing Identity and Building a Nomadic Home through Mestiza Consciousness in Brincando el charco. Portrait of a Puerto Rican

Q3 Arts and Humanities Anglo Saxonica Pub Date : 2023-01-01 DOI:10.5334/as.106
Orianna Calderón-Sandoval
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Abstract

Reading through one another insights raised by feminist thinkers Gloria Anzaldúa, Chela Sandoval, Rosi Braidotti and Karen Barad, this work analyses the 1994 autofictional film Brincando el charco. Portrait of a Puerto Rican by New York-based filmmaker and scholar Frances Negrón-Muntaner. This film is approached as a prime example of ways in which feminist autofictional practices in cinema have the potential to reframe the notions of identity and home, beyond dominant—sexist, racist, and homophobic— narratives. Barad’s diffractive methodology allows for bringing together Anzaldúa’s mestiza consciousness, Sandoval’s differential consciousness and Braidotti’s nomadic consciousness, as a conceptual apparatus to unpack how Negrón-Muntaner combines fiction, autobiography and documentary footage in order to problematise androcentric narratives, come to terms with her multi-layered identity as a queer member of the Puerto Rican diaspora, and ultimately manage to build an alternative, always-in-the-making, home for herself.
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在布林坎多埃尔查科,通过梅斯蒂萨人意识重构身份和建立游牧家园。波多黎各人的肖像
通过阅读女权主义思想家Gloria Anzaldúa、Chela Sandoval、Rosi Braidotti和Karen Barad提出的见解,本作品分析了1994年的自虚构电影《Brincando el charco》。一个波多黎各人的肖像由纽约电影制作人和学者弗朗西斯Negrón-Muntaner。这部电影被认为是女性主义电影中自我虚构的实践有可能重塑身份和家庭概念的一个主要例子,超越了主流的性别歧视、种族主义和同性恋恐惧症的叙述。Barad的发散方法将Anzaldúa的混血儿意识,Sandoval的差异意识和Braidotti的游牧意识结合在一起,作为一个概念性的工具,来揭示Negrón-Muntaner是如何结合小说,自传和纪录片来解决男性中心主义叙事的问题,来接受她作为波多黎各侨民的酷儿成员的多层次身份,并最终设法建立一个替代方案,总是在制作中,她自己的家。
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来源期刊
Anglo Saxonica
Anglo Saxonica Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
5
审稿时长
9 weeks
期刊最新文献
Robinson Crusoe with a Cellphone: A Task-Based Proposal for Higher Secondary Education Reframing Identity and Building a Nomadic Home through Mestiza Consciousness in Brincando el charco. Portrait of a Puerto Rican “There are Parts I Won’t Tell You”: Biography, Trauma and Violence in Moisés Kaufman’s The Laramie Project ‘According to the Rhythms of the Arid Lands’: Mary Austin’s The Land of Journeys’ Ending Mothered/Othered Daughters: Mother Abjection and Diasporic Identity in Ethnic American Short Fiction
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