Gender and Eroticism in Contemporary Art from South Africa

A. Pawłowska
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Abstract

Abstract The aim of this article is to present the interaction between the history of lesbian and gay culture and its identity on the one hand, and the connection between the visual art or visual culture on the other hand. This essay endeavors to interpret the different meanings attached to sexual identities by examining the diverse artistic activities of a variety of artists: both men and women (e.g. Steven Cohen, Clive van den Berg, Andrew Verster, Nicolas Hlobo, Jean Brundrit, Zanele Muholi). Employing an intersectional analytical approach, the article shows that the identity of art is constructed alongside a person’s multiple identities, such as race, gender, family ties, religion and class. The main research question is whether in today’s visual art originating from South Africa, which is characterized by a hegemony of heterosexual stereotypes, there is a significant place for gender oriented art?
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南非当代艺术中的性别与色情
摘要本文旨在呈现男女同性恋文化的历史与身份之间的互动,以及男女同性恋文化与视觉艺术或视觉文化之间的联系。这篇文章试图通过研究各种艺术家的不同艺术活动来解释性别身份的不同含义:包括男性和女性(例如史蒂文·科恩,克莱夫·范登伯格,安德鲁·沃斯特,尼古拉斯·赫洛博,让·布伦德里特,扎内勒·穆霍利)。本文采用交叉分析的方法,表明艺术的身份是与一个人的多重身份(如种族、性别、家庭关系、宗教和阶级)一起构建的。主要研究的问题是,在以异性恋刻板印象霸权为特征的南非今天的视觉艺术中,性别取向的艺术是否有显著的地位?
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