“Before I am Quite Forgot": Women’s Critical Literary Biography and the Future

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Abstract

“‘Before I am Quite Forgot’: Women’s Critical Literary Biography and the Future” extends the conversation about literary “worth” in the twenty-first century as it still judges and ignores women authors of the past. Specifically, this essay explores the role of women’s literary historical biography as a primary marker of worth and as a means of shaping legacy. I also discuss my (perhaps more non-traditional) experience—both my personal circumstances and particular material conditions—writing the critical biography Charlotte Lennox: An Independent Mind. Without a substantial biography that shows the scope of Lennox’s mind, her significant corpus, and her interventions in literary history and current events through publishing, this talented and popular author would not have had the opportunity to be fully taken seriously. This essay is designed to encourage potential biographers who study remarkable women authors of past centuries around the world. It also asserts the value of the #MeToo movement and social media for more robust legacy making.
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“在我被完全遗忘之前”:女性批评文学传记与未来
“在我被完全遗忘之前:女性批评文学传记和未来”扩展了关于21世纪文学“价值”的对话,因为它仍然评判和忽视了过去的女性作家。具体而言,本文探讨了女性文学历史传记作为价值的主要标志和作为塑造遗产的手段的作用。我还讨论了我的(也许更非传统的)经历——包括我的个人情况和特殊的物质条件——写了一本批判传记《夏洛特·伦诺克斯:一个独立的思想》。如果没有一部丰富的传记来展示伦诺克斯的思想范围,她的重要语料库,以及她通过出版对文学史和时事的干预,这位才华横溢、广受欢迎的作家就不会有机会得到充分的重视。这篇文章旨在鼓励那些研究过去几个世纪世界各地杰出女性作家的潜在传记作家。它还断言了#MeToo运动和社交媒体在更强大的遗产创造方面的价值。
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