Myths About Woman in the Slovene "Moderna": Mother or Whore?

Alenka Jensterle-Doležal
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Abstract

This article is concerned with images of women in the Slovene Moderna, a Slovene literary era that commenced in 1899 with publications by Oton Župančič and Ivan Cankar. The article focuses on two myths of female representation that were formed in Slovene literature and culture at the time: the divine, mystical woman and the evil, bewitching whore. Both archetypes show a crisis of identity during the Moderna as well as a complex relation to eroticism and the problems of depicting the human body in art. They reflect an uneasiness with eroticism in the strict Roman Catholic culture of Slovenia at the time, while the writers of the Moderna might be thought to have reflected the Catholic tradition of the erotic as eternal battle between spirit and the body. The erotic was the most disturbing, frustrating, and confusing topic for Slovene writers at that time.
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斯洛文尼亚“现代女性”的神话:母亲还是妓女?
本文关注的是斯洛文尼亚现代文学时代的女性形象,这是一个始于1899年的斯洛文尼亚文学时代,由Oton Župančič和Ivan Cankar出版。本文着重分析了当时斯洛文尼亚文学文化中形成的两种女性代表神话:神圣、神秘的女人和邪恶、妖娆的妓女。这两个原型都表现了现代主义时期的身份危机,以及与色情和艺术中描绘人体问题的复杂关系。他们反映了当时斯洛文尼亚严格的罗马天主教文化中对情色的不安,而现代作家可能被认为反映了天主教的传统,即情色是精神和身体之间永恒的战斗。对于当时的斯洛文尼亚作家来说,情色是最令人不安、沮丧和困惑的话题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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