{"title":"Tintin au pays de nulle part ? Deux voyageurs belges dans la Pologne communiste","authors":"Przemysław Szczur","doi":"10.7311/acta.59.2022.11","DOIUrl":null,"url":null,"abstract":"Proposing Tintin as an emblem of Belgian travelers who visited a communist country, the paper offers an analysis of the representation of Poland in two travel stories from Frenchspeaking Belgium: Pologne 1948 by Max Deauville and Canzona pour l’Europe by Sophie Deroisin. The article demonstrates how two Belgian writers endeavor to assimilate the described reality, whilst struggling with the language barrier. The paper discusses the fact that although both authors visit Poland under communism, politics takes up little space in their works. Instead, they choose to focus on the country’s past, especially the Second World War, as well as on the Polish landscape.","PeriodicalId":32174,"journal":{"name":"Acta Universitatis Carolinae Philologica","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Universitatis Carolinae Philologica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7311/acta.59.2022.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Proposing Tintin as an emblem of Belgian travelers who visited a communist country, the paper offers an analysis of the representation of Poland in two travel stories from Frenchspeaking Belgium: Pologne 1948 by Max Deauville and Canzona pour l’Europe by Sophie Deroisin. The article demonstrates how two Belgian writers endeavor to assimilate the described reality, whilst struggling with the language barrier. The paper discusses the fact that although both authors visit Poland under communism, politics takes up little space in their works. Instead, they choose to focus on the country’s past, especially the Second World War, as well as on the Polish landscape.
这篇论文提出丁丁是访问共产主义国家的比利时旅行者的象征，并分析了讲法语的比利时的两个旅行故事对波兰的代表:马克斯·多维尔(Max Deauville)的《Pologne 1948》和索菲·德罗瓦辛(Sophie Deroisin)的《Canzona pour l 'Europe》。这篇文章展示了两位比利时作家如何努力同化所描述的现实，同时与语言障碍作斗争。本文讨论的事实是，虽然两位作者都访问了共产主义时期的波兰，但政治在他们的作品中占据的空间很小。相反，他们选择关注这个国家的过去，尤其是第二次世界大战，以及波兰的风景。
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