{"title":"La construcción estética de la imagen en la performance Zonas de Dolor de Diamela Eltit","authors":"Mónica Barrientos","doi":"10.7764/AISTH.61.8","DOIUrl":null,"url":null,"abstract":"Este trabajo tiene como finalidad analizar la accion de arte Zonas de Dolor de Diamela Eltit que fue producido en la decada de los 80. Los videos-performaces fueron realizados en lugares marginales dentro del contexto de la dictadura chilena donde analizaremos de que forma el espacio marginal y el cuerpo herido de la protagonista se convierten en subjetividades que resisten politicamente en un contexto de extrema violencia y como los espectadores se emancipan activamente para conformar una comunidad desagregada que orgullosamente se sostiene en la marginalidad.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2017-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7764/AISTH.61.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 1
Abstract
Este trabajo tiene como finalidad analizar la accion de arte Zonas de Dolor de Diamela Eltit que fue producido en la decada de los 80. Los videos-performaces fueron realizados en lugares marginales dentro del contexto de la dictadura chilena donde analizaremos de que forma el espacio marginal y el cuerpo herido de la protagonista se convierten en subjetividades que resisten politicamente en un contexto de extrema violencia y como los espectadores se emancipan activamente para conformar una comunidad desagregada que orgullosamente se sostiene en la marginalidad.
期刊介绍：
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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