Testimonio y práctica artística en el Campo de Prisioneros de Chacabuco 1973-1974. El teatro de Mario Molina.

IF 0.3 0 PHILOSOPHY Aisthesis-Pratiche Linguaggi e Saperi dell Estetico Pub Date : 2021-08-21 DOI:10.7764/69.9
Francisca Carolina Durán Mateluna
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1973-1974年查卡布科集中营的证词和艺术实践。马里奥·莫利纳剧院。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
31
审稿时长
40 weeks
期刊介绍: The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.
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Testimonio y práctica artística en el Campo de Prisioneros de Chacabuco 1973-1974. El teatro de Mario Molina. De los usos de la muerte en La expropiación de Raúl Ruiz Ciudad penitenciaria: necropolítica y las formas audiovisuales del Noir Lumpen Latinoamericano La performatividad de las imágenes Cuerpos mirados, cuerpos que miran: Las series fotográficas de Carla Yovane
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