{"title":"The Island Within the Island: Remapping Dominican York","authors":"Tatiana Reinoza","doi":"10.1086/701175","DOIUrl":null,"url":null,"abstract":"This article examines the recurrence of cartography in the print portfolios of the New York-based collective Dominican York Proyecto GRAFICA. Combining the social history of art with recent theoretical developments in geography, I argue that the collective’s approach to collaborative printmaking reveals the geopolitics of US intervention, and also explore how the doubly exiled Dominican body resists the racialized geography of the US.","PeriodicalId":41204,"journal":{"name":"ARCHIVES OF AMERICAN ART JOURNAL","volume":"31 1","pages":"4 - 27"},"PeriodicalIF":0.1000,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVES OF AMERICAN ART JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/701175","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
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Abstract
This article examines the recurrence of cartography in the print portfolios of the New York-based collective Dominican York Proyecto GRAFICA. Combining the social history of art with recent theoretical developments in geography, I argue that the collective’s approach to collaborative printmaking reveals the geopolitics of US intervention, and also explore how the doubly exiled Dominican body resists the racialized geography of the US.
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