{"title":"Malabouian Plasticity Beyond Surfaces","authors":"J. Martell","doi":"10.1353/mos.2021.0006","DOIUrl":null,"url":null,"abstract":"Abstract:This essay investigates Malabou's notion of plasticity, confronting it with the visual or plastic arts. It shows how overlooking all surfaces of inscription allows Malabou to promote a purely dynamic notion of plasticity that she sees in both neurological and philosophical processes, purportedly going beyond aesthetics and philosophies of the trace.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mosaic-An Interdisciplinary Critical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mos.2021.0006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
Abstract:This essay investigates Malabou's notion of plasticity, confronting it with the visual or plastic arts. It shows how overlooking all surfaces of inscription allows Malabou to promote a purely dynamic notion of plasticity that she sees in both neurological and philosophical processes, purportedly going beyond aesthetics and philosophies of the trace.
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