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Certain Assistances: The Utilities of Speculative Fiction in Shaping the Future 某些帮助:投机小说在塑造未来中的效用
Q2 Arts and Humanities Pub Date : 2022-08-13 DOI: 10.1353/mos.2021.0018
D. Lawler
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引用次数: 5
Chaos and Form 混沌与形态
Q2 Arts and Humanities Pub Date : 2022-08-13 DOI: 10.1353/mos.2021.0017
E. Fischer, Brigitte Schludermann
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引用次数: 0
"It's More Terrible Not to Remember": Alexievich and Women's War Literature “不记得更可怕”:阿列克谢耶维奇与女性战争文学
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903588
Laurie Vickroy
Abstract:Svetlana Alexievich's text brings to light women veterans' testimonies of lingering World War II traumas that challenge militaristic discourses. This study analyzes how Alexievich helped them claim their testimonial voices and provoked them to reveal traumatic effects and to contextualize and organize their words into trauma narratives.
摘要:斯维特拉娜·阿列克谢耶维奇(Svetlana Alexievich)的文本揭示了女性退伍军人对二战遗留创伤的证词,这些创伤挑战了军国主义话语。本研究分析了阿列克谢耶维奇如何帮助他们表达自己的证词,并激发他们揭示创伤影响,并将他们的话语语境化并组织成创伤叙事。
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引用次数: 0
"We've Got to Believe Something": Joyce Carol Oates and Celebrity “我们必须相信一些东西”:乔伊斯·卡罗尔·奥茨和名人
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903589
David W. Rutledge
Abstract:In Broke Heart Blues and elsewhere, Joyce Carol Oates explores the psychology of celebrity worship. The adulation of celebrity is one way in which an American audience reaches for something to believe in. Oates shows how the audience creates the myths and illusions that it chooses to worship.
摘要:乔伊斯·卡罗尔·奥茨在《心碎蓝调》等作品中探讨了名人崇拜心理。对名人的奉承是美国观众寻求某种信仰的一种方式。奥茨展示了观众如何创造他们选择崇拜的神话和幻想。
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引用次数: 0
Ten Songs that Came Up in Conversations with Rodney Graham 在与罗德尼·格雷厄姆的对话中出现的十首歌
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903592
David Wisdom

Abstract:

This discography was created by David Wisdom based on conversations with Rodney Graham. Mosaic is pleased to publish it here.

摘要:本专辑由David Wisdom根据与Rodney Graham的对话创作。马赛克很高兴在这里发表。
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引用次数: 0
The Differing Shame Cultures of Tony Williams's Nutcase and Grettir's Saga 托尼·威廉姆斯的《疯子》和格雷蒂的《传奇》中不同的羞耻文化
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903586
K. Hume

Abstract:

Tony Williams's Nutcase translates Grettir's Saga into a modern setting. Saga shame- and social media shame cultures differ, particularly in what gives life to life. I draw on Beowulf, Grettir's Saga, current criticisms of both, cultural theory, and other novels that build upon these earlier texts.

摘要:托尼·威廉姆斯的《疯子》将格雷蒂的传奇故事改编为现代背景。故事羞耻和社交媒体羞耻文化不同,尤其是在赋予生命的东西上。我借鉴了《贝奥武夫》、《格雷蒂的传奇》、当前对这两者的批评、文化理论以及其他建立在这些早期文本基础上的小说。
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引用次数: 0
"We've Got to Believe Something": Joyce Carol Oates and Celebrity “我们必须相信一些东西”:乔伊斯·卡罗尔·奥茨和名人
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903590
David W. Rutledge
Abstract:In Broke Heart Blues and elsewhere, Joyce Carol Oates explores the psychology of celebrity worship. The adulation of celebrity is one way in which an American audience reaches for something to believe in. Oates shows how the audience creates the myths and illusions that it chooses to worship.
摘要:乔伊斯·卡罗尔·奥茨在《心碎蓝调》等作品中探讨了名人崇拜心理。对名人的奉承是美国观众寻求某种信仰的一种方式。奥茨展示了观众如何创造他们选择崇拜的神话和幻想。
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引用次数: 0
Index 指数
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903593
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引用次数: 0
A Traumatic Reading of Maurya's Passivity in Synge's Riders to the Sea 辛吉《海上骑士》中孔雀被动的创伤解读
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903587
Chu He
Abstract:This essay gives a traumatic reading of Maurya's passivity. Traumatized by her sons' deaths, Maurya develops PTSD symptoms including hyperarousal, intrusion, and constriction, and through keening she moves towards a recovery. Synge's deft use of symbols, repetition, and imagery to stage trauma makes Riders a precursor to later trauma plays.
摘要:本文对孔雀的被动性进行了创伤性解读。儿子的死给她带来了精神创伤,Maurya出现了创伤后应激障碍症状,包括过度觉醒、干扰和收缩,并通过哭泣走向康复。辛吉娴熟地运用符号、重复和意象来演绎创伤,使《骑手》成为后来创伤剧的先驱。
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引用次数: 0
Vengeance Unbound: Henning Mankell's The Man from Beijing 亨宁·曼凯尔的《来自北京的男人》
Q2 Arts and Humanities Pub Date : 2021-12-01 DOI: 10.1353/mos.2021.a903584
Daniel Mckay
Abstract:The Man from Beijing depicts ethnic Chinese workers on the US transcontinental railroad, a literary development that challenges the linguistic boundaries nominally associated with Asian American Studies. Of equal importance, I argue, is the way Mankell expands the cartography of Nordic Noir to encompass capitalism's old-new frontiers in China (PRC).
摘要:《来自北京的男人》描写了美国横贯大陆铁路上的华裔工人,这一文学发展挑战了名义上与亚裔美国人研究相关的语言界限。我认为,同样重要的是,曼凯尔扩展了北欧黑色文学的版图,将资本主义在中国的新旧疆域囊括其中。
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引用次数: 0
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