Patriotism and a Free Press: A Content Analysis of Civil Religion in Aaron Sorkin’s The West Wing and The Newsroom

IF 0.9 0 RELIGION Journal of Media and Religion Pub Date : 2018-04-03 DOI:10.1080/15348423.2018.1531624
Christina Littlefield, Theresa M. de los Santos, Patrick G. Rear, Savannah M F Janssen
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引用次数: 1

Abstract

ABSTRACT American civil religion abounds in Aaron Sorkin’s The West Wing, but an idealized patriotism is also pronounced in The Newsroom and Sorkin’s other works. A quantitative content analysis found that civil religion elements pop up roughly every three-and-a-half minutes in The West Wing and every four minutes in The Newsroom. Coding revealed that Sorkin primarily promotes civil religion in ways that affirm culture. Both shows refer to American documents such as the Constitution as sacred, drawing on these texts and famous figures for authority. Freedom of the press and its centrality to democracy dominates both shows, and both productions emphasize personal sacrifice for one’s nation. Overlap between the two shows indicates these values come close to Sorkin’s personal brand of civil religion, which provides a window into the civil religion of the wider entertainment and news media. This study opens up a fruitful vein of research for understanding today’s divided media landscape.
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爱国主义与新闻自由:亚伦·索尔金《白宫风云》和《新闻编辑室》中公民宗教的内容分析
美国公民宗教在阿伦·索尔金的《白宫白宫》中比比皆是,但理想化的爱国主义在《新闻编辑室》和索尔金的其他作品中也很明显。一项定量内容分析发现,在《白宫风云》中,公民宗教元素大约每3.5分钟出现一次,在《新闻编辑室》中,每4分钟出现一次。编码显示,索尔金主要以肯定文化的方式促进公民宗教。两场展览都将美国宪法等文件视为神圣,并以这些文本和著名人物为权威。新闻自由及其对民主的核心地位在两部剧中都占据主导地位,两部作品都强调个人为国家做出的牺牲。这两个节目之间的重叠表明,这些价值观接近索尔金的个人公民宗教品牌,这为更广泛的娱乐和新闻媒体的公民宗教提供了一个窗口。这项研究为理解当今分裂的媒体格局开辟了一条富有成效的研究脉络。
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CiteScore
1.60
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0.00%
发文量
9
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