“Unsilencing” the Silence: Unacknowledged Silent Pieces

IF 0.1 0 MUSIC Opus Pub Date : 2021-01-07 DOI:10.20504/OPUS2020C2617
Eder Wilker Borges Pena
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引用次数: 0

Abstract

The following work seeks to restore from obscurity three silent pieces of music that predate John Cage’s 4’33” and establish the reasons why they have not been acknowledged as being the first silent pieces. Hence, we present our methodology, analysis, and conclusion based on the motives that led them to musicological oblivion, their relevance in the context of experimental music, and why 4’33” was possible in its zeitgeist.
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《打破沉默:未被承认的沉默片段
下面的工作试图从默默无闻中恢复约翰·凯奇的4分33秒之前的三首无声音乐作品,并确定为什么他们没有被认为是第一批无声作品的原因。因此,我们提出了我们的方法,分析和结论,基于导致他们音乐遗忘的动机,他们在实验音乐的背景下的相关性,以及为什么4 ' 33 "在其时代精神中是可能的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Opus
Opus MUSIC-
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
21 weeks
期刊介绍: Founded in 1989, OPUS is a four-monthly journal with the aim to widely promote musical knowledge by exploring practical, theoretical, historical, political, cultural and/or interdisciplinary aspects of music while fostering innovative technical perspectives. A scientific journal of the Associação Nacional de Pesquisa e Pós-Graduação em Música [National Association of Music Research and Postgraduate] — ANPPOM — its primary focus is to provide a broad overview of the most representative research on music in Brazil.
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