Situational Archetype Analysis On Main Characters In Nikolaj Arcel’s The Dark Tower Film

Alfa Rina, Samanik Samanik
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Abstract

This study explores the study of situational archetypes and has the objective to investigate how situational archetypes are described in the main characters in The Dark Tower film. In literary work, the situational archetype is defined as the image or the character that the readers want to pursue. Situational archetypes have the function to build the character by appearing the certain condition and the situation that the main characters face in the film. By using the situational archetype, it will be explained the detail why the character may do the quest.The objectives of this study are to find situational archetype on main characters in Nicolaj Arcel’s The Dark Tower film and how do the situational archetypes build the main character in The Dark Tower film.This study is typical library research with descriptive qualitative method. This study used archetype theory by Carl Gustav Jung (1942), Hero archetype by Joseph Campbell (2004), and also movie analysis.The results reveal that there are seven types of situational archetypes find in The Dark Tower film. This results consist of the Departure, the Initiation, and The Return. The departure describes how the characters introduced  as they are presented with and prepare for their journey. There is often a rite of passage or quest in which the hero must prove or in order to achieve their certain goals. It can be seen that the task in the film increase and the character may finish several tasks through the journey. While the character have the journey, the character will face the unpleasent life and pleasent life.Keywords: archetype study, situational archetype, the dark tower film
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尼古拉·阿塞尔电影《黑暗塔》中主要人物的情境原型分析
本研究对情境原型的研究进行了探索,目的是探讨电影《黑暗塔》中主要人物的情境原型是如何被描述的。在文学作品中,情境原型被定义为读者想要追求的形象或人物。情境原型通过呈现影片中主要人物所面临的特定条件和情境,具有塑造人物的功能。通过使用情境原型,我们将详细解释为什么角色会执行任务。本研究的目的是寻找尼古拉·阿塞尔电影《黑暗之塔》中主要人物的情境原型,以及情境原型如何塑造《黑暗之塔》中的主要人物。本研究是典型的用描述定性方法进行的图书馆研究。本研究运用了荣格(1942)的原型理论、坎贝尔(2004)的英雄原型理论以及电影分析。结果表明,电影《黑暗塔》中存在七种情境原型类型。这个结果包括离开、启迪和回归。出发描述了人物是如何被介绍的,他们是如何为他们的旅程做准备的。通常会有一个仪式或任务,英雄必须在其中证明或实现他们的特定目标。可以看出影片中的任务增加了,角色可能会在旅途中完成几个任务。人物在有旅途的同时,也要面对人生的不愉快和人生的愉快。关键词:原型研究,情境原型,黑塔电影
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来源期刊
Harmonia: Journal of Arts Research and Education
Harmonia: Journal of Arts Research and Education Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.90
自引率
0.00%
发文量
32
审稿时长
4 weeks
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