Christian inspiration in contemporary Serbian poetry

J. Aleksić
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Abstract

The subject of our research in this paper are aspects of religious spirituality in contemporary Serbian poetry. First, we give an overview of poetic, ideological and cultural characteristics of poetic production in the last three decades, with certain value categorizations. We then direct our attention to the individual poetics of poets born in the seventies and eighties, whose poetry has a proven presence of Christian inspiration. Our goal is to establish a literary-historical and culturally distinct poetic flow and situate it within the History of Modern and Contemporary Serbian literature, predominantly secular. The focus of our analysis is not exclusively quotes, narratives or motifs from the Bible and patristic literature. We examine how Christian (Serbian-Byzantine and Western-Christian) spirituality participates in the formation of an individual poetic view of the world, as well as poetic spirituality that manifests itself through poetic images, expressions and figures. We are interested in the work of the religious consciousness of our poets in shaping their artistic, moral and value attitudes towards the phenomena of our epoch, but also towards the culture to which they belong. Therefore, we analyse the cultural models that these poets embrace in their poetry, as well as the humanistic messages that they place within their immanent poetics. We come to the conclusion that male and female poets, with their poetic and spiritual commitment, have taken the risk of deciding to give up poetry as a form of social engagement, aware in advance of the burden of the alternative and the minority.
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当代塞尔维亚诗歌中的基督教启示
本文研究的主题是当代塞尔维亚诗歌中的宗教精神性。首先,我们概述了近三十年来诗歌生产的诗学特征、思想文化特征,并进行了一定的价值分类。然后,我们将注意力转向七八十年代出生的诗人的个人诗学,他们的诗歌被证明是基督教灵感的存在。我们的目标是建立一种文学历史和文化上独特的诗歌流,并将其置于现代和当代塞尔维亚文学史中,主要是世俗的。我们分析的重点不只是圣经和教父文学中的引语、叙述或主题。我们研究了基督教(塞尔维亚-拜占庭和西方基督教)的灵性如何参与个人诗意世界观的形成,以及通过诗歌形象、表达和人物表现出来的诗意灵性。我们感兴趣的是我们诗人的宗教意识在塑造他们对我们时代现象的艺术、道德和价值态度,以及对他们所属的文化的态度。因此,我们分析了这些诗人在其诗歌中所拥抱的文化模式,以及他们在其内在诗学中所放置的人文主义信息。我们得出的结论是,男性和女性诗人,带着他们的诗歌和精神承诺,已经冒险决定放弃诗歌作为一种社会参与形式,提前意识到替代和少数人的负担。
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