{"title":"Revistas contraculturales argentinas en dictadura y transición: debates alrededor del exilio.","authors":"E. Margiolakis","doi":"10.25267/commons.2019.v8.i2.01","DOIUrl":null,"url":null,"abstract":"espanolDurante la ultima dictadura argentina (1976-1983), un conjunto de publicaciones culturales desafio los limites impuestos por el poder hegemonico militar en relacion con su propuesta de intervencion politico-cultural, su ubicacion en el mercado de los bienes simbolicos y el rescate de tradiciones que confrontaron con la denominada cultura oficial, entre otros aspectos. Por esta razon, recibieron la denominacion de revistas contraculturales, subterraneas o underground. A partir de 1978 y durante la denominada transicion argentina, dichas publicaciones polemizaron con aquellas intervenciones que, desde el exilio, identificaron la produccion cultural de quienes permanecieron desde la inaccion, la quietud y el silencio. El exilio y la permanencia implicaron la construccion de redes de solidaridad en torno a padecer y denunciar los mecanismos de censura, prohibicion y persecucion del regimen militar. Sin embargo, tambien se establecio una serie de tensiones entre el “adentro” y el “afuera”, que nos proponemos reponer en este articulo EnglishDuring the last Argentine dictatorship (1976-1983), a group of cultural magazines challenged the restrictions imposed by hegemonic military power through their proposal of politic and cultural intervention, their place in the symbolic market and the recovery of traditions that contended against the so-called official culture, among other things. Consequently, they came to be designated as countercultu-ral or underground magazines. Since 1978 and during the so-called Argentine transition, those magazines engaged in a dispute with those manifestations that, form the exile, equated their cultural production of those people who remained with the inaction, the stillness, and the silent. Between the exile and those who remained in the country, a solidarity network was established based on the suffering and denunciation of the military regime’s censorship, prohibition, and persecution. But also a series of tensions between “inside” and “outside”, which we intend to revisit in this paper, was established","PeriodicalId":47250,"journal":{"name":"International Journal of the Commons","volume":"9 1","pages":""},"PeriodicalIF":1.8000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of the Commons","FirstCategoryId":"96","ListUrlMain":"https://doi.org/10.25267/commons.2019.v8.i2.01","RegionNum":3,"RegionCategory":"经济学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"ENVIRONMENTAL STUDIES","Score":null,"Total":0}
引用次数: 1
Abstract
espanolDurante la ultima dictadura argentina (1976-1983), un conjunto de publicaciones culturales desafio los limites impuestos por el poder hegemonico militar en relacion con su propuesta de intervencion politico-cultural, su ubicacion en el mercado de los bienes simbolicos y el rescate de tradiciones que confrontaron con la denominada cultura oficial, entre otros aspectos. Por esta razon, recibieron la denominacion de revistas contraculturales, subterraneas o underground. A partir de 1978 y durante la denominada transicion argentina, dichas publicaciones polemizaron con aquellas intervenciones que, desde el exilio, identificaron la produccion cultural de quienes permanecieron desde la inaccion, la quietud y el silencio. El exilio y la permanencia implicaron la construccion de redes de solidaridad en torno a padecer y denunciar los mecanismos de censura, prohibicion y persecucion del regimen militar. Sin embargo, tambien se establecio una serie de tensiones entre el “adentro” y el “afuera”, que nos proponemos reponer en este articulo EnglishDuring the last Argentine dictatorship (1976-1983), a group of cultural magazines challenged the restrictions imposed by hegemonic military power through their proposal of politic and cultural intervention, their place in the symbolic market and the recovery of traditions that contended against the so-called official culture, among other things. Consequently, they came to be designated as countercultu-ral or underground magazines. Since 1978 and during the so-called Argentine transition, those magazines engaged in a dispute with those manifestations that, form the exile, equated their cultural production of those people who remained with the inaction, the stillness, and the silent. Between the exile and those who remained in the country, a solidarity network was established based on the suffering and denunciation of the military regime’s censorship, prohibition, and persecution. But also a series of tensions between “inside” and “outside”, which we intend to revisit in this paper, was established
espanolDurante最后阿根廷独裁1976-1983出版物),一套文化挑战极限税收权力hegemonico军事关系的诺提案politico-cultural,他们的资产市场ubicacion simbolicos和拯救传统先辈满怀希望与所谓的官方文化等方面。由于这个原因,他们被称为反文化杂志,地下或地下。从1978年开始,在所谓的阿根廷过渡时期,这些出版物与那些流亡的人的干预进行了辩论,这些干预确定了那些从不作为、沉默和沉默中保持的人的文化生产。流亡和永久意味着建立团结网络,以忍受和谴责军事政权的审查、禁止和迫害机制。然而,他也是establecio之间紧张关系的一系列“内”和“外”,我们想要实现的补充在这篇EnglishDuring最近阿根廷dictatorship(1976-1983)、《a group of文化杂志提出的限制就由hegemonic military power through politic文化和干预的提案》,其place in the symbolic market and the recovery of传统that contended against the建议官方文化书籍other things。Consequently,他们来to be指定as countercultu-ral or underground杂志。自1978年以来,在所谓的阿根廷转型期间,这些杂志与那些表现形式的流亡,平衡了他们的文化生产,这些人保持着不作为、静止和沉默。在流亡者和留在该国的人之间建立了一个团结网络,其基础是对军事政权审查、禁止和迫害的痛苦和谴责。但是,我们打算在本文中回顾的“内部”和“外部”之间的一系列紧张关系也已确立