‘We are all facing the same problem’: Lived experiences of online participation in the Irish World Music Café community music initiative in the context of the COVID-19 pandemic

IF 0.9 4区 艺术学 0 MUSIC International Journal of Community Music Pub Date : 2021-11-01 DOI:10.1386/ijcm_00048_1
Hala Jaber, Fran Garry, Helen Phelan
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引用次数: 2

Abstract

The Irish World Music Café was created in 2015 in Limerick, Ireland, in the context of the Irish Refugee Protection Programme. The Café is grounded in the four ‘PERC’ principles of participatory, ethical, reflexive and creative engagement. In the context of the COVID-19 pandemic, the Café moved online on World Refugee Day 2020 with two additional online Cafés thereafter. In January 2021, a review of participation in the Café commenced to guide the decision-making processes regarding content, format and mode of engagement for the immediate and long-term future. The review was qualitative, comprising ten ethnographic interviews and author fieldnotes. Data generated were interpreted using thematic analysis. Three themes were identified through this process: enablers, activities and experiences. It concludes with the proposal that the expanded temporal, spatial and relational opportunities created through the online environment correlate with reduced opportunities for kinaesthetic-tactile embodied experiences. Understanding the dynamic relationship between planes of lived experience is important in the future development of the Café.
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“我们都面临着同样的问题”:2019冠状病毒病大流行背景下,爱尔兰世界音乐咖啡馆社区音乐倡议在线参与的生活体验
2015年,在爱尔兰难民保护计划的背景下,爱尔兰世界音乐咖啡馆在爱尔兰利默里克成立。咖啡馆以参与性、伦理性、反思性和创造性参与四项“PERC”原则为基础。在2019冠状病毒病大流行的背景下,caf于2020年世界难民日上线,此后又上线了两个caf。2021年1月,开始了对咖啡参与情况的审查,以指导近期和长期未来参与内容、形式和模式的决策过程。该综述是定性的,包括10个人种学访谈和作者实地记录。所产生的数据采用专题分析加以解释。通过这一过程确定了三个主题:推动因素、活动和经验。它的结论是,通过在线环境创造的时间、空间和关系机会的扩大与动感触觉具体化体验的减少相关。了解生活经验的各个层面之间的动态关系对咖啡馆的未来发展非常重要。
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来源期刊
CiteScore
1.70
自引率
42.90%
发文量
16
期刊介绍: The International Journal of Community Music publishes research articles, practical discussions, timely reviews, readers'' notes and special issues concerning all aspects of community music. The editorial board is composed of leading international scholars and practitioners spanning diverse disciplines that reflect the scope of community music practice and theory. This journal is double-blind peer-reviewed in order to maintain the highest standards of scholastic integrity.
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