Calling to Prayer in ‘Pandemic Times’: Muslim Women’s Practices and Contested (Public) Spaces in Germany

Q1 Arts and Humanities Entangled Religions Pub Date : 2022-11-18 DOI:10.46586/er.12.2021.9933
Simone Pfeifer
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引用次数: 1

Abstract

This article explores how the regulations imposed during Germany’s first COVID-19 lockdown in 2020 impacted on gendered mosque spaces and the digital spheres relating to those spaces. Examining the call to prayer as a sensory form that establishes “aesthetic formations” (Meyer 2009), the article unpacks gender-specific Muslim perspectives on space within mosques and the contested position mosques occupy in German public space. Paying particular attention to the temporalities of the pandemic restrictions, the article reflects on women’s (digital) practices and relates them to ongoing debates about the contested presence of sonic markers of Muslim religiosity in public space in Germany. It argues that the heterogeneous digital practices and discourses that emerged in ‘pandemic times’ should not only be viewed as extraordinary responses to an exceptional situation, but as exemplary of ongoing debates over gendered Muslim spaces and publicness in Germany.
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在“流行病时代”呼唤祈祷:德国穆斯林妇女的做法和有争议的(公共)空间
本文探讨了德国在2020年首次COVID-19封锁期间实施的规定如何影响性别清真寺空间以及与这些空间相关的数字领域。将祈祷的召唤作为一种建立“美学形态”的感官形式进行考察(Meyer 2009),这篇文章揭示了穆斯林对清真寺空间的性别特定视角,以及清真寺在德国公共空间中占据的争议地位。文章特别关注疫情限制的临时性,反映了妇女的(数字)做法,并将其与正在进行的关于德国公共空间中存在穆斯林宗教信仰的声音标记的争议性辩论联系起来。它认为,在“流行病时代”出现的异质数字实践和话语不仅应被视为对特殊情况的特殊反应,而且应被视为德国正在进行的关于穆斯林性别空间和公共性的辩论的典范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
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