{"title":"Encanto desde Hollywood: glamour y feminidad en la revista Ecran (Chile 1930-1931)","authors":"Andrea Robles Parada","doi":"10.4067/S0718-71812016000200010","DOIUrl":null,"url":null,"abstract":"espanolEl objetivo del articulo es dar cuenta de las representaciones de genero de las estrellas hollywoodense en la revista chilena Ecran en los anos 1930-1931. Durante toda la decada del treinta, el atractivo de Hollywood ayudo a consolidar una cultura de masas en Chile, popularizando una modernidad al estilo norteamericano. En este contexto, se indaga como la imagen de la estrella en Ecran opero a modo de una representacion de genero que se instalo como un referente de la mujer moderna y elegante. Planteamos que las estrellas publicitadas por la revista representaron una feminidad glamorosa con un importante valor estetico asociado a parametros corporales y de apariencia como la delgadez y la moda. EnglishThe objective of this article is to account for gender representations about the female stars in the Chilean magazine Ecran, during the years 1930-1931. During the 30s, the lure of Hollywood stars helped to consolidate a mass culture in Chile, popularizing a modern American style. In this context, it is investigated how the image of the Hollywood star in Ecran operated as a gender representation and was installed as a benchmark for modern and elegant woman. In this regard, we propose that the Hollywood stars publicized in Ecran represented a glamorous femininity with an important aesthetic value concerning body and appearance parameters as thinness and fashion.","PeriodicalId":43414,"journal":{"name":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","volume":"5 1","pages":"191-215"},"PeriodicalIF":0.3000,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Aisthesis-Pratiche Linguaggi e Saperi dell Estetico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/S0718-71812016000200010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
Abstract
espanolEl objetivo del articulo es dar cuenta de las representaciones de genero de las estrellas hollywoodense en la revista chilena Ecran en los anos 1930-1931. Durante toda la decada del treinta, el atractivo de Hollywood ayudo a consolidar una cultura de masas en Chile, popularizando una modernidad al estilo norteamericano. En este contexto, se indaga como la imagen de la estrella en Ecran opero a modo de una representacion de genero que se instalo como un referente de la mujer moderna y elegante. Planteamos que las estrellas publicitadas por la revista representaron una feminidad glamorosa con un importante valor estetico asociado a parametros corporales y de apariencia como la delgadez y la moda. EnglishThe objective of this article is to account for gender representations about the female stars in the Chilean magazine Ecran, during the years 1930-1931. During the 30s, the lure of Hollywood stars helped to consolidate a mass culture in Chile, popularizing a modern American style. In this context, it is investigated how the image of the Hollywood star in Ecran operated as a gender representation and was installed as a benchmark for modern and elegant woman. In this regard, we propose that the Hollywood stars publicized in Ecran represented a glamorous femininity with an important aesthetic value concerning body and appearance parameters as thinness and fashion.
期刊介绍:
The choice of the name of the journal represents a farewell from the identification of aesthetics with hermeneutics and speculative philosophy of art. It also shows our strong commitment to the irreducibility of aesthetics to a mere psychological fact. The subtitle of the journal “practices, languages and knowledge concerning aesthetics” indicates the present, fertile pluralism of aesthetics. This is a pluralism of views and methods, often connected with the different ways in which contemporary arts and aesthetic abilities present and structure themselves. Also, it is a pluralism of thoughts and formulas, which induces to relativize the western tradition within which the discipline of aesthetics was born. Finally, it is a pluralism of epistemic landscapes, which also trespasses into the sphere of sensibility and art. These various, epistemic landscapes have recently experienced a revolutionary enlargement through the rise of some new or radically renewed disciplines (from neurosciences to anthropology, from cognitive sciences to psychobiology). Indeed, we conceive Aisthesis as a public space where those different approaches and disciplines can interact.